Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Ramon Jaffé, Wroclaw Witold Lutoslawski Philharmonic, Daniel Raiskin, Benjamin Schmid
- Elsa Bland, Elise Elizza, Laura Hilgermann, Leon-Levy Brunswick, Antonio Ghislanzoni, Michel Carré, Franz Pacal, Erik Schmedes, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Hermine Kittel, Grete Forst, Wilhelm Hesch, Bertha Forster-Lauterer, Solomon Hermann von Mosenthal, Josef Wenzig, Marie Gutheil-Schoder, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Eugene Scribe, James Robinson Planche, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Franz Naval, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Adolphe de Leuven, Gertrude Forstel
- Paul Daraux, Giovanni Apostulo, Franz Pacal, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Hermann Winkelmann, Kate Cove, Rene Fournets, A. Del Campo, Felix Asch, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Studio Pianist, Caro Roma, Ferruccio Giannini, Theodor Bertram, Edith Clegg, Edna May, Marie Tempest, Selma Kurz, Joseph O'Mara, Ellen Beach Yaw, Desire Pauwels, Gabriel Soulacroix, Fraulein Vroni Eidner
- Emma Eames, Agnes Bedford, Nellie Melba, Yvonne de Treville, Robert Ainsworth, Blanche Arral, Elizabeth Parkina, Ada Crossley, Suzanne Adams, Selma Kurz, Sigrid Arnoldson, Francesco Paolo Tosti, Ellen Beach Yaw, Nina de Friede, Frances Alda, Blanche Marchesi, Bruno Seidler-Winkler, Emma Calve
- Andrei Labinsky, Erik Schmedes, Peter Raitscheff, Modest Menzinsky, Edoardo Ferrari Fontana, Giovanni Martinelli, Mario Gilion, Paul Franz, Augusto Dianni, Gaetano Pini-Corsi, Vasili Damaev, Manuel Utor, David Jushin
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
