I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, Collegiate Chorale, London Symphony Orchestra, Leonard Bernstein, Highgate School Boys Choir, Boys' Choir of The Church of The Transfiguration, Israel Philharmonic Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, New York Philharmonic, Collegiate Chorale, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Leonard Bernstein
III. Comodo. Scherzando
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum
IV. Sehr langsam; Misterioso
New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Leonard Bernstein, New York Philharmonic, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Leonard Bernstein, London Symphony Orchestra, Highgate School Boys Choir, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Finchley Children's Music Group, Leonard Bernstein, London Symphony Orchestra, Highgate School Boys Choir, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen