‎Beethoven: Fidelio, Op. 72 de Henry Waddington

Ouvertüre

Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Mark Elder

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Marsch

The Glyndebourne Chorus, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Mark Elder, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder

5:44

Dialog "Aber Marzelline"

The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl

1:37

Finale "O welche Lust!"

Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder

4:19

Introduction to Act 2

Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

3:59

Dialog "Er erwacht!"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Thomas Blunt

0:57

Quartett "Er sterbe!"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:04

Finale "Des besten königs Wink und Wille"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Anthony Cleverton, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

4:23

Ludwig van Beethoven

Composição
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orquestra
Peter Coleman-Wright

Barítono
Mark Elder

Regência

Beethoven: Fidelio, Op. 72

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