‎Beethoven: Fidelio, Op. 72 de Brindley Sherratt

Ouvertüre

Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Torsten Kerl, Nathan Vale, Brindley Sherratt, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Thomas Blunt, Lisa Milne, Anthony Cleverton, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, Henry Waddington, Mark Elder, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Henry Waddington, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Anja Kampe, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale

0:44

Arie "Hat man nicht auch Gold beineben"

The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Andrew Kennedy, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Torsten Kerl, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Mark Elder, Henry Waddington, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:17

Marsch

Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe

2:02

Dialog "Die Depeschen"

Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Torsten Kerl, Lisa Milne, Anja Kampe, Andrew Kennedy, The Glyndebourne Chorus

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Andrew Kennedy, Lisa Milne, Nathan Vale, Torsten Kerl, Brindley Sherratt, Henry Waddington, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, Thomas Blunt, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Mark Elder, Peter Coleman-Wright, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Mark Elder, Andrew Kennedy, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Mark Elder, Anthony Cleverton

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

1:37

Finale "O welche Lust!"

Andrew Kennedy, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Mark Elder, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, Andrew Kennedy, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Henry Waddington, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

London Philharmonic Orchestra, Nathan Vale, Andrew Kennedy, Anja Kampe, Anthony Cleverton, Lisa Milne, Mark Elder, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington

4:19

Introduction to Act 2

Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Lisa Milne, Nathan Vale, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Mark Elder, Lisa Milne, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, Brindley Sherratt, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Torsten Kerl, Mark Elder, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anja Kampe

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anthony Cleverton, Henry Waddington, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Thomas Blunt, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Nathan Vale, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, Lisa Milne, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, Torsten Kerl, Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:09

Duett "O namenlose Freude!"

Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Mark Elder, London Philharmonic Orchestra

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, Nathan Vale, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Henry Waddington

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anja Kampe, Torsten Kerl, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Lisa Milne, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Mark Elder, Andrew Kennedy, Thomas Blunt, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt

4:23

Ludwig van Beethoven

Composição
Brindley Sherratt

Baixo
Anja Kampe

Soprano
Lisa Milne

Soprano
Mark Elder

Regência

Beethoven: Fidelio, Op. 72

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