‎Mahler: The Complete Symphonies de Klaus Tennstedt

I. Langsam. Schleppend - Immer sehr gemächlich

Klaus Tennstedt, London Philharmonic Orchestra

15:59

II. (Scherzo) Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich

London Philharmonic Orchestra, Klaus Tennstedt

7:50

III. Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise - Wieder etwas bewegter, wie im Anfang

Klaus Tennstedt, London Philharmonic Orchestra

10:49

IV. Stürmisch bewegt - Langsam - Wieder wie zu Anfang. Stürmisch bewegt - Sehr landgam - Tempo I

London Philharmonic Orchestra, Klaus Tennstedt

19:26

I. Allegro maestoso

John Alldis, London Philharmonic Orchestra, Klaus Tennstedt, Doris Soffel, London Philharmonic Choir, Edith Mathis

24:45

II. Andante moderato

Doris Soffel, London Philharmonic Choir, Edith Mathis, London Philharmonic Orchestra, Klaus Tennstedt, John Alldis

11:21

III. In ruhig fließender Bewegung

John Alldis, London Philharmonic Choir, London Philharmonic Orchestra, Klaus Tennstedt

10:31

IV. Urlicht (Sehr feierlich aber schlicht) (Words from 'Des Knaben Wunderhorn')

London Philharmonic Orchestra, John Alldis, Doris Soffel, London Philharmonic Choir, Edith Mathis, Klaus Tennstedt

7:10

V. Im Tempo des Scherzos (Wild herausfahrend) - Langsam - Allegro energico - Langsam

Doris Soffel, Klaus Tennstedt, London Philharmonic Orchestra, London Philharmonic Choir, Edith Mathis, John Alldis

34:56

Kräftig

Ortrun Wenkel, Klaus Tennstedt, London Philharmonic Choir, Southend Boys' Choir, London Philharmonic Orchestra

33:10

Tempo di menuetto

London Philharmonic Choir, Klaus Tennstedt, London Philharmonic Orchestra, Ortrun Wenkel, Southend Boys' Choir

10:41

Scherzando

Ortrun Wenkel, London Philharmonic Choir, Klaus Tennstedt, Southend Boys' Choir, London Philharmonic Orchestra

18:56

Sehr langsam: 'O Mensch! Gib acht'

London Philharmonic Orchestra, Ortrun Wenkel, Klaus Tennstedt, Southend Boys' Choir, London Philharmonic Choir

9:52

Lustig im Tempo: 'Es sungen drei Engel'

Klaus Tennstedt, London Philharmonic Choir, London Philharmonic Orchestra, Southend Boys' Choir, Ortrun Wenkel

4:13

Langsam

London Philharmonic Choir, London Philharmonic Orchestra, Ortrun Wenkel, Klaus Tennstedt, Southend Boys' Choir

20:49

I. Heiter, bedächtig. Nicht eilen

London Philharmonic Orchestra, Klaus Tennstedt, Lucia Popp

15:45

II. In gemächlicher Bewegung. Ohne Hast

London Philharmonic Orchestra, Lucia Popp, Klaus Tennstedt

8:49

III. Ruhevoll

London Philharmonic Orchestra, Lucia Popp, Klaus Tennstedt

21:09

IV. Sehr behaglich [with Soprano solo]

Klaus Tennstedt, Lucia Popp, London Philharmonic Orchestra

9:08

I. Trauermarsch (In gemessenen Schritt. Streng. Wie ein Kondukt)

Klaus Tennstedt, London Philharmonic Orchestra

13:48

II. Stürmisch bewegt. Mit grosser Vehemenz

Klaus Tennstedt, London Philharmonic Orchestra

15:12

III. Scherzo (Kräftig, nicht zu schnell)

Klaus Tennstedt, London Philharmonic Orchestra

18:12

IV. Adagietto. Sehr langsam

London Philharmonic Orchestra, Klaus Tennstedt

11:54

V. Rondo-Finale (Allegro)

London Philharmonic Orchestra, Klaus Tennstedt

16:17

Adagio - Allegro risoluto ma non troppo

London Philharmonic Orchestra, Klaus Tennstedt

22:48

Nachtmusik: Allegro moderato

London Philharmonic Orchestra, Klaus Tennstedt

16:29

Scherzo

London Philharmonic Orchestra, Klaus Tennstedt

10:18

Nachtmusik: Andante amoroso

London Philharmonic Orchestra, Klaus Tennstedt

15:10

Rondo_Finale

Klaus Tennstedt, London Philharmonic Orchestra

18:03

I. Allegro energico, ma non troppo

Klaus Tennstedt, London Philharmonic Orchestra

24:42

II. Scherzo (Wuchtig)

Klaus Tennstedt, London Philharmonic Orchestra

13:08

III. Andante moderato

London Philharmonic Orchestra, Klaus Tennstedt

17:21

IV. Finale (Allegro moderato)

London Philharmonic Orchestra, Klaus Tennstedt

33:05

Veni, Creator Spiritus

Trudeliese Schmidt, Klaus Tennstedt, Jorma Hynninen, Dame Felicity Lott, Edith Wiens, Hans Sotin, London Philharmonic Orchestra, Elizabeth Connell, Nadine Denize, Richard Versalle, London Philharmonic Choir, Tiffin Boys' School Choir

1:26

Imple superna gratia

Edith Wiens, Dame Felicity Lott, Jorma Hynninen, Hans Sotin, Trudeliese Schmidt, Klaus Tennstedt, London Philharmonic Orchestra, Elizabeth Connell, London Philharmonic Choir, Nadine Denize, Richard Versalle, Tiffin Boys' School Choir

4:21

Infirma nostri corporis

London Philharmonic Choir, Elizabeth Connell, Jorma Hynninen, Klaus Tennstedt, Hans Sotin, Dame Felicity Lott, Trudeliese Schmidt, London Philharmonic Orchestra, Nadine Denize, Richard Versalle, Edith Wiens, Tiffin Boys' School Choir

6:38

Accende lumen sensibus

Trudeliese Schmidt, London Philharmonic Orchestra, Elizabeth Connell, Jorma Hynninen, London Philharmonic Choir, Klaus Tennstedt, Hans Sotin, Edith Wiens, Dame Felicity Lott, Nadine Denize, Richard Versalle, Tiffin Boys' School Choir

4:34

Veni, Creator Spiritus

Dame Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Edith Wiens, Tiffin Boys' School Choir, Klaus Tennstedt, Jorma Hynninen, Hans Sotin, Elizabeth Connell, Trudeliese Schmidt, Nadine Denize, Richard Versalle

5:06

Gloria Patri Domino

Klaus Tennstedt, Edith Wiens, London Philharmonic Choir, Tiffin Boys' School Choir, Nadine Denize, Richard Versalle, Dame Felicity Lott, Trudeliese Schmidt, London Philharmonic Orchestra, Jorma Hynninen, Elizabeth Connell, Hans Sotin

2:30

Waldung, sie schwankt heran (Holy Anchorites)

Trudeliese Schmidt, London Philharmonic Orchestra, Hans Sotin, London Philharmonic Choir, Dame Felicity Lott, Jorma Hynninen, Elizabeth Connell, Klaus Tennstedt, Nadine Denize, Richard Versalle, Edith Wiens, Tiffin Boys' School Choir

14:31

Ewiger Wonnebrand (Pater Ecstaticus)

London Philharmonic Choir, Dame Felicity Lott, Trudeliese Schmidt, Elizabeth Connell, Hans Sotin, Nadine Denize, Richard Versalle, Edith Wiens, Jorma Hynninen, London Philharmonic Orchestra, Tiffin Boys' School Choir, Klaus Tennstedt

1:28

Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Klaus Tennstedt, Edith Wiens, Nadine Denize, Richard Versalle, Dame Felicity Lott, London Philharmonic Orchestra, Trudeliese Schmidt, London Philharmonic Choir, Hans Sotin, Jorma Hynninen, Tiffin Boys' School Choir, Elizabeth Connell

4:21

Gerettet ist das edle Glied (Choir of Angels, Choir of Blessed Boys)

Nadine Denize, Richard Versalle, Hans Sotin, London Philharmonic Orchestra, Trudeliese Schmidt, Klaus Tennstedt, Jorma Hynninen, Dame Felicity Lott, Edith Wiens, Tiffin Boys' School Choir, London Philharmonic Choir, Elizabeth Connell

3:22

Uns bleibt ein Erdenrest (The More Perfect Angels, Choir of Blessed Boys)

Nadine Denize, Richard Versalle, Klaus Tennstedt, London Philharmonic Choir, Tiffin Boys' School Choir, Hans Sotin, London Philharmonic Orchestra, Jorma Hynninen, Dame Felicity Lott, Trudeliese Schmidt, Elizabeth Connell, Edith Wiens

2:21

Hier ist die Aussicht frei (Doctor Marianus)

Edith Wiens, Elizabeth Connell, London Philharmonic Choir, Dame Felicity Lott, Klaus Tennstedt, Hans Sotin, Jorma Hynninen, London Philharmonic Orchestra, Nadine Denize, Richard Versalle, Trudeliese Schmidt, Tiffin Boys' School Choir

0:37

Höchste Herrscherin der Welt (Doctor Marianus, Chorus)

Elizabeth Connell, Klaus Tennstedt, Edith Wiens, Hans Sotin, London Philharmonic Orchestra, London Philharmonic Choir, Nadine Denize, Richard Versalle, Dame Felicity Lott, Jorma Hynninen, Trudeliese Schmidt, Tiffin Boys' School Choir

4:11

Dir, der Unberührbaren (Chorus, a Penitent)

Dame Felicity Lott, Jorma Hynninen, Nadine Denize, Richard Versalle, Trudeliese Schmidt, Hans Sotin, Edith Wiens, Elizabeth Connell, Klaus Tennstedt, London Philharmonic Choir, London Philharmonic Orchestra, Tiffin Boys' School Choir

3:54

Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

London Philharmonic Orchestra, Nadine Denize, Richard Versalle, Jorma Hynninen, Dame Felicity Lott, Edith Wiens, Trudeliese Schmidt, Klaus Tennstedt, Hans Sotin, London Philharmonic Choir, Elizabeth Connell, Tiffin Boys' School Choir

5:31

Neige, neige, du Ohnegleiche (A Penitent, Choir of Blessed Boys, Mater Gloriosa)

Hans Sotin, Klaus Tennstedt, London Philharmonic Choir, Nadine Denize, Richard Versalle, Trudeliese Schmidt, Dame Felicity Lott, Elizabeth Connell, Tiffin Boys' School Choir, Edith Wiens, Jorma Hynninen, London Philharmonic Orchestra

5:55

Blicket auf zum Retterblick (Doctor Marianus, Chorus)

Dame Felicity Lott, London Philharmonic Orchestra, Nadine Denize, Richard Versalle, Elizabeth Connell, Edith Wiens, London Philharmonic Choir, Hans Sotin, Jorma Hynninen, Trudeliese Schmidt, Klaus Tennstedt, Tiffin Boys' School Choir

5:51

Alles Vergängliche (Mystic Choir)

Dame Felicity Lott, London Philharmonic Orchestra, Klaus Tennstedt, Tiffin Boys' School Choir, Nadine Denize, Richard Versalle, London Philharmonic Choir, Trudeliese Schmidt, Jorma Hynninen, Hans Sotin, Edith Wiens, Elizabeth Connell

5:47

I. Andante comodo

Klaus Tennstedt, London Philharmonic Orchestra

30:45

II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Klaus Tennstedt, London Philharmonic Orchestra

16:25

III. Rondo-Burleske (Allegro assai. Sehr trotzig)

London Philharmonic Orchestra, Klaus Tennstedt

12:58

IV. Adagio (Sehr langsam und noch zurückhaltend)

London Philharmonic Orchestra, Klaus Tennstedt

25:41

I. Adagio

London Philharmonic Orchestra, Klaus Tennstedt

28:04

Gustav Mahler

Composição
Klaus Tennstedt

Regência
London Philharmonic Orchestra

Orquestra, Conjunto, Orquestra sinfônica
John Alldis

Regência, Direção (coral)
Doris Soffel

Soprano, Meio-soprano

David Mottley

Produção
John Willan

Produção
John Fraser

Produção
James Mallinson

Produção
Neville Boyling

Engenharia (balanceamento), Engenharia
Ken Jagger

Engenharia (edição)
John Kurlander

Engenharia (balanceamento)
Tony Faulkner

Engenharia (balanceamento)
Michael Kennedy

Encarte
Clive Barda

Fotografia

Mahler: The Complete Symphonies

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