Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Lydia Summers· Marie Powers· Elena Mazzoni· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Mabel Mercer· Maria Marlo· Studio Chorus· Leon Lishner· Studio Orchestra· Rolando Panerai· George Jongyans· Gloria Lane· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Nino Sanzogno· Lehman Engel· Margherita Carosio· Silvana Zanolli· Francis Monachino· Giacinto Prandelli

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Leon Lishner· Lydia Summers· Studio Chorus· Cornell MacNeil· George Jongyans· Francis Monachino· Andrew McKinley· Marie Powers· Mabel Mercer· Patricia Neway· Maria Marlo· Lehman Engel· Gloria Lane· Studio Orchestra

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Marie Powers· Maria Marlo· Mabel Mercer· George Jongyans· Leon Lishner· Andrew McKinley· Cornell MacNeil· Studio Chorus· Patricia Neway· Lydia Summers· Francis Monachino· Studio Orchestra· Lehman Engel· Gloria Lane

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

George Jongyans· Francis Monachino· Studio Chorus· Mabel Mercer· Maria Marlo· Marie Powers· Studio Orchestra· Patricia Neway· Lydia Summers· Cornell MacNeil· Andrew McKinley· Leon Lishner· Lehman Engel· Gloria Lane

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Marie Powers· Maria Marlo· Mabel Mercer· George Jongyans· Leon Lishner· Andrew McKinley· Cornell MacNeil· Studio Chorus· Patricia Neway· Lydia Summers· Francis Monachino· Studio Orchestra· Lehman Engel· Gloria Lane

4:18

Act I Scene 2: Interlude

Mabel Mercer· George Jongyans· Marie Powers· Lydia Summers· Cornell MacNeil· Andrew McKinley· Maria Marlo· Francis Monachino· Studio Orchestra· Leon Lishner· Studio Chorus· Lehman Engel· Gloria Lane· Patricia Neway

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Lehman Engel· Andrew McKinley· Studio Chorus· Marie Powers· Patricia Neway· Cornell MacNeil· Gloria Lane· Maria Marlo· Lydia Summers· Mabel Mercer

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Studio Chorus· Cornell MacNeil· Leon Lishner· Lydia Summers· Andrew McKinley· Mabel Mercer· Maria Marlo· Lehman Engel· George Jongyans· Marie Powers· Gloria Lane· Francis Monachino· Studio Orchestra· Patricia Neway

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Francis Monachino· Studio Orchestra· Andrew McKinley· Patricia Neway· Maria Marlo· Cornell MacNeil· Lydia Summers· Leon Lishner· George Jongyans· Studio Chorus· Marie Powers· Gloria Lane· Lehman Engel· Mabel Mercer

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Andrew McKinley· Cornell MacNeil· Maria Marlo· Francis Monachino· Studio Orchestra· Mabel Mercer· George Jongyans· Patricia Neway· Leon Lishner· Marie Powers· Lydia Summers· Studio Chorus· Lehman Engel· Gloria Lane

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Lydia Summers· George Jongyans· Gloria Lane· Cornell MacNeil· Leon Lishner· Mabel Mercer· Lehman Engel· Marie Powers· Francis Monachino· Studio Orchestra· Studio Chorus· Patricia Neway· Andrew McKinley· Maria Marlo

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Lehman Engel· Andrew McKinley· Maria Marlo· Leon Lishner· Studio Chorus· Marie Powers· Patricia Neway· Mabel Mercer· Gloria Lane· George Jongyans· Cornell MacNeil· Francis Monachino· Studio Orchestra· Lydia Summers

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Cornell MacNeil· Mabel Mercer· Studio Orchestra· Leon Lishner· Lydia Summers· Patricia Neway· Marie Powers· Lehman Engel· George Jongyans· Francis Monachino· Andrew McKinley· Studio Chorus· Maria Marlo· Gloria Lane

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Leon Lishner· Mabel Mercer· Studio Chorus· Patricia Neway· Lydia Summers· George Jongyans· Cornell MacNeil· Maria Marlo· Andrew McKinley· Francis Monachino· Studio Orchestra· Marie Powers· Lehman Engel· Gloria Lane

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Marie Powers· Gloria Lane· Mabel Mercer· Studio Chorus· Leon Lishner· Andrew McKinley· Francis Monachino· Studio Orchestra· Patricia Neway· Lehman Engel· Cornell MacNeil· Maria Marlo· Lydia Summers· George Jongyans

3:51

Act II Scene 1: Interlude

Maria Marlo· Andrew McKinley· Lehman Engel· Gloria Lane· Leon Lishner· Francis Monachino· Studio Orchestra· Marie Powers· Cornell MacNeil· Mabel Mercer· Lydia Summers· Patricia Neway· Studio Chorus· George Jongyans

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Studio Chorus· Andrew McKinley· Cornell MacNeil· Patricia Neway· Lydia Summers· Marie Powers· Leon Lishner· Francis Monachino· Studio Orchestra· George Jongyans· Lehman Engel· Gloria Lane· Mabel Mercer· Maria Marlo

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Patricia Neway· Lydia Summers· Cornell MacNeil· George Jongyans· Francis Monachino· Andrew McKinley· Gloria Lane· Marie Powers· Studio Chorus· Maria Marlo· Mabel Mercer· Studio Orchestra· Leon Lishner· Lehman Engel

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Studio Chorus· Mabel Mercer· Maria Marlo· Andrew McKinley· Studio Orchestra· Patricia Neway· George Jongyans· Francis Monachino· Cornell MacNeil· Leon Lishner· Marie Powers· Lydia Summers· Lehman Engel· Gloria Lane

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Cornell MacNeil· George Jongyans· Francis Monachino· Studio Chorus· Patricia Neway· Mabel Mercer· Leon Lishner· Andrew McKinley· Marie Powers· Studio Orchestra· Lydia Summers· Maria Marlo· Lehman Engel· Gloria Lane

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Cornell MacNeil· Studio Chorus· Leon Lishner· George Jongyans· Marie Powers· Lydia Summers· Mabel Mercer· Patricia Neway· Francis Monachino· Studio Orchestra· Maria Marlo· Lehman Engel· Andrew McKinley· Gloria Lane

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Marie Powers· Cornell MacNeil· Studio Orchestra· Patricia Neway· Mabel Mercer· Andrew McKinley· George Jongyans· Francis Monachino· Gloria Lane· Lydia Summers· Leon Lishner· Studio Chorus· Maria Marlo· Lehman Engel

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Studio Orchestra· Marie Powers· Lehman Engel· Mabel Mercer· Leon Lishner· Cornell MacNeil· Studio Chorus· Maria Marlo· Gloria Lane· Andrew McKinley· George Jongyans· Lydia Summers· Patricia Neway· Francis Monachino

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Mabel Mercer· Patricia Neway· Maria Marlo· Leon Lishner· Francis Monachino· Studio Orchestra· Andrew McKinley· Lehman Engel· Studio Chorus· Lydia Summers· Gloria Lane· George Jongyans· Marie Powers· Cornell MacNeil

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Lydia Summers· Marie Powers· Studio Chorus· Francis Monachino· Studio Orchestra· Patricia Neway· Cornell MacNeil· George Jongyans· Maria Marlo· Lehman Engel· Leon Lishner· Andrew McKinley· Gloria Lane· Mabel Mercer

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Marie Powers· Gloria Lane· Lydia Summers· Leon Lishner· Mabel Mercer· Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Cornell MacNeil· Lehman Engel· Andrew McKinley· Studio Chorus

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Leon Lishner· George Jongyans· Mabel Mercer· Andrew McKinley· Maria Marlo· Patricia Neway· Marie Powers· Francis Monachino· Studio Orchestra· Lydia Summers· Cornell MacNeil· Studio Chorus· Lehman Engel· Gloria Lane

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Andrew McKinley· George Jongyans· Francis Monachino· Marie Powers· Maria Marlo· Lydia Summers· Studio Chorus· Patricia Neway· Cornell MacNeil· Studio Orchestra· Leon Lishner· Mabel Mercer· Gloria Lane· Lehman Engel

2:33

Orchestral prelude

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Nino Sanzogno· Elena Mazzoni

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Nino Sanzogno· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Maria Amadini· Elena Mazzoni· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Elena Mazzoni· Nino Sanzogno· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai

2:01

Non si va! Non si va! (Husband, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Maria Amadini· Elena Mazzoni· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli

1:17

Amelia, Amelia! (Husband, Amelia)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Silvana Zanolli· Maria Amadini

2:10

Romanza: Amelia cara (Husband)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Maria Amadini· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli

2:22

Osi ancora negar? (Husband, Amelia)

Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Nino Sanzogno· Elena Mazzoni· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli

2:03

Ebbene, si (Amelia, Husband)

Silvana Zanolli· Maria Amadini· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno

1:03

Il mio amante e quel signore (Amelia, Husband)

Silvana Zanolli· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno

1:51

Che disdetta! (Amelia, Lover)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Maria Amadini· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Nino Sanzogno

2:37

Amelia! Amelia! (Lover, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno

1:05

Contro me non porta offesa (Amelia, Lover)

Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Maria Amadini· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Silvana Zanolli· Nino Sanzogno· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Elena Mazzoni· Nino Sanzogno

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Margherita Carosio· Giacinto Prandelli

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Maria Amadini· Silvana Zanolli· Margherita Carosio· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Silvana Zanolli· Maria Amadini

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Silvana Zanolli· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Margherita Carosio· Giacinto Prandelli

1:40

Gian Carlo Menotti

Composición
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta
Studio Orchestra

Orquesta
Rolando Panerai

Barítono