Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Gloria Lane· Rolando Panerai· George Jongyans· Lydia Summers· Studio Chorus· Nino Sanzogno· Marie Powers· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Leon Lishner· Studio Orchestra· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Mabel Mercer· Maria Marlo· Elena Mazzoni· Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Margherita Carosio· Lehman Engel

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Leon Lishner· Studio Chorus· Lehman Engel· Maria Marlo· Mabel Mercer· Marie Powers· Gloria Lane· Andrew McKinley· Francis Monachino· Patricia Neway· Lydia Summers· George Jongyans· Studio Orchestra· Cornell MacNeil

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Andrew McKinley· Gloria Lane· Cornell MacNeil· Maria Marlo· Patricia Neway· Studio Chorus· Francis Monachino· Lydia Summers· Lehman Engel· Mabel Mercer· Leon Lishner· Marie Powers· George Jongyans· Studio Orchestra

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

Lehman Engel· Leon Lishner· Marie Powers· Gloria Lane· Cornell MacNeil· Maria Marlo· Mabel Mercer· Francis Monachino· George Jongyans· Studio Orchestra· Studio Chorus· Patricia Neway· Lydia Summers· Andrew McKinley

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Andrew McKinley· Gloria Lane· Cornell MacNeil· Maria Marlo· Patricia Neway· Studio Chorus· Francis Monachino· Lydia Summers· Lehman Engel· Mabel Mercer· Leon Lishner· Marie Powers· George Jongyans· Studio Orchestra

4:18

Act I Scene 2: Interlude

Francis Monachino· Patricia Neway· Lehman Engel· George Jongyans· Studio Orchestra· Maria Marlo· Mabel Mercer· Andrew McKinley· Lydia Summers· Cornell MacNeil· Studio Chorus· Marie Powers· Leon Lishner· Gloria Lane

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Andrew McKinley· Maria Marlo· Lydia Summers· Patricia Neway· George Jongyans· Studio Orchestra· Gloria Lane· Cornell MacNeil· Mabel Mercer· Francis Monachino· Leon Lishner· Marie Powers· Studio Chorus· Lehman Engel

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Lehman Engel· George Jongyans· Patricia Neway· Studio Orchestra· Francis Monachino· Leon Lishner· Marie Powers· Lydia Summers· Mabel Mercer· Studio Chorus· Cornell MacNeil· Maria Marlo· Andrew McKinley· Gloria Lane

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Maria Marlo· Andrew McKinley· Lehman Engel· Francis Monachino· Patricia Neway· Gloria Lane· Studio Chorus· Leon Lishner· Marie Powers· Cornell MacNeil· Mabel Mercer· George Jongyans· Studio Orchestra· Lydia Summers

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Mabel Mercer· Francis Monachino· Marie Powers· Leon Lishner· Cornell MacNeil· Andrew McKinley· Studio Chorus· Maria Marlo· Lehman Engel· Gloria Lane· George Jongyans· Studio Orchestra· Patricia Neway· Lydia Summers

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Maria Marlo· Patricia Neway· Francis Monachino· Mabel Mercer· Gloria Lane· Leon Lishner· Marie Powers· George Jongyans· Studio Orchestra· Lehman Engel· Studio Chorus· Andrew McKinley· Cornell MacNeil· Lydia Summers

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Studio Chorus· Lehman Engel· Marie Powers· Francis Monachino· Maria Marlo· George Jongyans· Studio Orchestra· Cornell MacNeil· Leon Lishner· Gloria Lane· Patricia Neway· Mabel Mercer· Andrew McKinley· Lydia Summers

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Maria Marlo· Mabel Mercer· Studio Chorus· Marie Powers· Gloria Lane· Lehman Engel· Leon Lishner· George Jongyans· Studio Orchestra· Cornell MacNeil· Francis Monachino· Patricia Neway· Lydia Summers· Andrew McKinley

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Patricia Neway· Cornell MacNeil· Andrew McKinley· Marie Powers· Lydia Summers· Gloria Lane· Lehman Engel· Francis Monachino· Leon Lishner· George Jongyans· Studio Orchestra· Mabel Mercer· Studio Chorus· Maria Marlo

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Mabel Mercer· Lehman Engel· Marie Powers· Leon Lishner· George Jongyans· Studio Orchestra· Maria Marlo· Studio Chorus· Gloria Lane· Andrew McKinley· Patricia Neway· Francis Monachino· Lydia Summers· Cornell MacNeil

3:51

Act II Scene 1: Interlude

Maria Marlo· Francis Monachino· Studio Chorus· Leon Lishner· Mabel Mercer· Marie Powers· Andrew McKinley· Lehman Engel· Cornell MacNeil· Lydia Summers· Patricia Neway· George Jongyans· Studio Orchestra· Gloria Lane

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Leon Lishner· Cornell MacNeil· Mabel Mercer· Marie Powers· Lehman Engel· Patricia Neway· Maria Marlo· Andrew McKinley· Lydia Summers· Gloria Lane· Studio Chorus· George Jongyans· Studio Orchestra· Francis Monachino

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Maria Marlo· Leon Lishner· Gloria Lane· Lehman Engel· Mabel Mercer· Studio Chorus· Marie Powers· Andrew McKinley· Francis Monachino· Cornell MacNeil· Patricia Neway· George Jongyans· Studio Orchestra· Lydia Summers

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Gloria Lane· Leon Lishner· Marie Powers· Cornell MacNeil· Francis Monachino· Maria Marlo· George Jongyans· Studio Orchestra· Lehman Engel· Lydia Summers· Andrew McKinley· Patricia Neway· Studio Chorus· Mabel Mercer

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Lydia Summers· Studio Chorus· Francis Monachino· Leon Lishner· Gloria Lane· Patricia Neway· George Jongyans· Studio Orchestra· Maria Marlo· Andrew McKinley· Mabel Mercer· Marie Powers· Cornell MacNeil· Lehman Engel

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Francis Monachino· Leon Lishner· George Jongyans· Studio Orchestra· Marie Powers· Gloria Lane· Lydia Summers· Studio Chorus· Andrew McKinley· Maria Marlo· Cornell MacNeil· Patricia Neway· Mabel Mercer· Lehman Engel

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Patricia Neway· Gloria Lane· Andrew McKinley· Cornell MacNeil· Marie Powers· Studio Chorus· George Jongyans· Studio Orchestra· Lehman Engel· Maria Marlo· Francis Monachino· Mabel Mercer· Lydia Summers· Leon Lishner

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Andrew McKinley· Mabel Mercer· Francis Monachino· Cornell MacNeil· Lydia Summers· Maria Marlo· Studio Chorus· George Jongyans· Studio Orchestra· Gloria Lane· Leon Lishner· Marie Powers· Patricia Neway· Lehman Engel

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Patricia Neway· George Jongyans· Studio Orchestra· Maria Marlo· Cornell MacNeil· Leon Lishner· Francis Monachino· Lydia Summers· Lehman Engel· Studio Chorus· Gloria Lane· Marie Powers· Mabel Mercer· Andrew McKinley

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Maria Marlo· Gloria Lane· Francis Monachino· Patricia Neway· Andrew McKinley· Lehman Engel· Studio Chorus· George Jongyans· Studio Orchestra· Leon Lishner· Marie Powers· Cornell MacNeil· Mabel Mercer· Lydia Summers

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Andrew McKinley· Gloria Lane· Mabel Mercer· Cornell MacNeil· Francis Monachino· Marie Powers· George Jongyans· Studio Orchestra· Maria Marlo· Studio Chorus· Patricia Neway· Lehman Engel· Lydia Summers· Leon Lishner

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Lydia Summers· Lehman Engel· Patricia Neway· Marie Powers· Studio Chorus· Francis Monachino· Leon Lishner· Maria Marlo· Cornell MacNeil· Gloria Lane· George Jongyans· Studio Orchestra· Mabel Mercer· Andrew McKinley

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Mabel Mercer· Lydia Summers· Maria Marlo· George Jongyans· Studio Orchestra· Cornell MacNeil· Studio Chorus· Leon Lishner· Marie Powers· Lehman Engel· Patricia Neway· Andrew McKinley· Francis Monachino· Gloria Lane

2:33

Orchestral prelude

Coro del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Silvana Zanolli· Giacinto Prandelli· Maria Amadini· Nino Sanzogno· Rolando Panerai· Margherita Carosio· Orchestra del Teatro alla Scala di Milano

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Margherita Carosio· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Elena Mazzoni· Nino Sanzogno· Rolando Panerai

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Elena Mazzoni· Margherita Carosio· Maria Amadini· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Silvana Zanolli· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Maria Amadini· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Rolando Panerai· Margherita Carosio

2:01

Non si va! Non si va! (Husband, Amelia)

Elena Mazzoni· Coro del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Rolando Panerai· Nino Sanzogno· Silvana Zanolli

1:17

Amelia, Amelia! (Husband, Amelia)

Enrico Campi· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Rolando Panerai

2:10

Romanza: Amelia cara (Husband)

Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Elena Mazzoni· Enrico Campi· Coro del Teatro alla Scala di Milano· Maria Amadini· Rolando Panerai

2:22

Osi ancora negar? (Husband, Amelia)

Nino Sanzogno· Margherita Carosio· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Silvana Zanolli· Enrico Campi· Rolando Panerai· Giacinto Prandelli· Elena Mazzoni

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Elena Mazzoni· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Margherita Carosio· Enrico Campi· Rolando Panerai· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli

2:03

Ebbene, si (Amelia, Husband)

Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Margherita Carosio· Maria Amadini· Giacinto Prandelli· Rolando Panerai

1:03

Il mio amante e quel signore (Amelia, Husband)

Enrico Campi· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Elena Mazzoni· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Maria Amadini

1:51

Che disdetta! (Amelia, Lover)

Maria Amadini· Giacinto Prandelli· Margherita Carosio· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Elena Mazzoni

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Elena Mazzoni· Maria Amadini· Giacinto Prandelli· Margherita Carosio· Silvana Zanolli

2:37

Amelia! Amelia! (Lover, Amelia)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Margherita Carosio· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Rolando Panerai· Nino Sanzogno

1:05

Contro me non porta offesa (Amelia, Lover)

Silvana Zanolli· Nino Sanzogno· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Rolando Panerai· Maria Amadini· Elena Mazzoni· Giacinto Prandelli· Coro del Teatro alla Scala di Milano

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Maria Amadini· Silvana Zanolli· Margherita Carosio· Enrico Campi· Nino Sanzogno· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Rolando Panerai

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Elena Mazzoni· Silvana Zanolli· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Rolando Panerai· Margherita Carosio

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Margherita Carosio· Elena Mazzoni· Nino Sanzogno· Silvana Zanolli· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Maria Amadini· Orchestra del Teatro alla Scala di Milano

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Rolando Panerai· Enrico Campi· Nino Sanzogno· Silvana Zanolli· Maria Amadini· Elena Mazzoni

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Elena Mazzoni· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Nino Sanzogno· Margherita Carosio

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Elena Mazzoni· Rolando Panerai· Maria Amadini· Silvana Zanolli· Nino Sanzogno

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Maria Amadini· Elena Mazzoni· Enrico Campi· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Nino Sanzogno· Rolando Panerai· Giacinto Prandelli

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Coro del Teatro alla Scala di Milano· Silvana Zanolli· Elena Mazzoni· Maria Amadini· Giacinto Prandelli· Rolando Panerai· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno

1:40

Gian Carlo Menotti

Composición
Rolando Panerai

Barítono
Nino Sanzogno

Dirección
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta