Act I Scene 1: Preludio
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Jose Nait, Alfredo Kraus
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Beverly Sills, Lidia de la Merced, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini
Act I Scene 1: Tu sei turbato! (Normanno)
Gian Piero Mastromei, Jose Nait, Juan Emilio Martini, Alfredo Kraus, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act I Scene 1: Cruda funesta smania (Enrico)
Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Jose Nait, Lidia de la Merced, Juan Emilio Martini, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act I Scene 1: La pietade in suo favore (Enrico)
Buenos Aires Teatro Colon Orchestra, Jose Nait, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini
Act I Scene 2: Preludio
Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Juan Emilio Martini, Victor de Narke, Alfredo Kraus
Act I Scene 2: Ancor non giunse! (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Juan Emilio Martini
Act I Scene 2: Regnava nel silenzio (Lucia)
Beverly Sills, Juan Emilio Martini, Jose Nait, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Quando rapito in estasi (Lucia)
Beverly Sills, Victor de Narke, Juan Emilio Martini, Alfredo Kraus, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei
Act I Scene 2: Egli s'avanza (Alisa)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Victor de Narke, Juan Emilio Martini, Alfredo Kraus
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Victor de Narke
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait, Juan Emilio Martini, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced
Act II Scene 1: Appressati, Lucia (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait
Act II Scene 1: Soffriva nel pianto … (Lucia)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini
Act II Scene 1: Che fia … (Lucia)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Alfredo Kraus
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus
Act II Scene 2: Ebben? (Lucia)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Beverly Sills, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Alfredo Kraus, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Jose Nait, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Dov'e Lucia? (Arturo)
Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Beverly Sills, Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Juan Emilio Martini
Act III Scene 1: Orrida e questa notte (Edgardo)
Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Alfredo Kraus, Juan Emilio Martini
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Jose Nait, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: D'immenso giubilo (Chorus)
Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Alfredo Kraus, Beverly Sills, Victor de Narke
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Gian Piero Mastromei, Beverly Sills, Alfredo Kraus
Act III Scene 2: Oh giusto cielo! (Chorus)
Gian Piero Mastromei, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus
Act III Scene 2: S'avanza Enrico (Raimondo)
Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini
Act III Scene 2: Si tragga altrove (Enrico)
Juan Emilio Martini, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus
Act III Scene 3: Oh, meschina! (Chorus)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Lidia de la Merced, Victor de Narke, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Beverly Sills
