‎Beethoven: Fidelio, Op. 72 by The Glyndebourne Chorus

Ouvertüre

Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Thomas Blunt, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne

2:17

Marsch

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Brindley Sherratt, Mark Elder, Anja Kampe

4:19

Introduction to Act 2

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt

3:32

Dialog "Vater Rocco!"

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Peter Coleman-Wright

Baritone

Beethoven: Fidelio, Op. 72

On This Album