‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anthony Cleverton, Lisa Milne, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, Anja Kampe, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Nathan Vale

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Nathan Vale

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Nathan Vale

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Torsten Kerl, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Thomas Blunt, Anja Kampe, Nathan Vale

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, Anja Kampe, Nathan Vale

2:17

Marsch

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Lisa Milne, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

2:02

Dialog "Die Depeschen"

Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Anja Kampe, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Nathan Vale

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt, Nathan Vale, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Nathan Vale

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Mark Elder, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Lisa Milne, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Mark Elder, Nathan Vale, Lisa Milne, Anja Kampe, Torsten Kerl, Thomas Blunt

5:44

Dialog "Aber Marzelline"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anja Kampe, Nathan Vale

1:37

Finale "O welche Lust!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale

2:49

Finale "Nun sprecht, wie ging's?"

Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Nathan Vale

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Mark Elder, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, Lisa Milne, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale

4:19

Introduction to Act 2

Torsten Kerl, Lisa Milne, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Anthony Cleverton, Thomas Blunt, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe

3:59

Dialog "Er erwacht!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, The Glyndebourne Chorus, Nathan Vale

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale

0:57

Quartett "Er sterbe!"

Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anja Kampe, Nathan Vale

3:32

Dialog "Vater Rocco!"

Lisa Milne, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Mark Elder, Torsten Kerl

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Thomas Blunt, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Lisa Milne, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Nathan Vale

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Nathan Vale

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Lisa Milne, Mark Elder, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Mark Elder

Conductor
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album