‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Mark Elder, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe, Peter Coleman-Wright

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Anthony Cleverton

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Mark Elder, Lisa Milne, Anja Kampe, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Lisa Milne, Thomas Blunt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl

0:44

Arie "Hat man nicht auch Gold beineben"

The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl

2:17

Marsch

Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Anja Kampe, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anja Kampe

5:44

Dialog "Aber Marzelline"

Thomas Blunt, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

1:37

Finale "O welche Lust!"

Mark Elder, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Thomas Blunt, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe

4:19

Introduction to Act 2

Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Mark Elder, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Torsten Kerl, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Mark Elder, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Anja Kampe, Torsten Kerl

3:59

Dialog "Er erwacht!"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anthony Cleverton, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anja Kampe

0:57

Quartett "Er sterbe!"

Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Anja Kampe

3:32

Dialog "Vater Rocco!"

Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Nathan Vale, Torsten Kerl, Peter Coleman-Wright

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Anja Kampe

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album