Ouvertüre
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Quartett "Mir ist so wunderbar"
Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Terzett "Nur auf der Hut, dann geht es gut"
Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus
Marsch
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Dialog "Die Depeschen"
Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Arie mit Chor "Ha! Welch ein Augenblick!"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton
Duett "Jetzt, Alter, jetzt hat es Eile!"
London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt
Dialog "Aber Marzelline"
Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Finale "O welche Lust!"
Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne
Finale "Ach! Vater, eilt!"
London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton
Finale "Leb' wohl, du warmes Sonnenlicht"
Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton
Introduction to Act 2
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe
Duett "Nur hurtig fort, nur frisch gegraben"
Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Dialog "Er erwacht!"
Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy
Terzett "Euch werde Lohn in besser'n Welten"
Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Quartett "Er sterbe!"
Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Vater Rocco!"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Dialog "Es schlägt der Rache Stunde!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Duett "O namenlose Freude!"
Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Dialog "Gute Botschaft"
Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt
Finale "Des besten königs Wink und Wille"
Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne