‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

2:17

Marsch

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Mark Elder

1:37

Finale "O welche Lust!"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Mark Elder, Anthony Cleverton

4:19

Introduction to Act 2

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Thomas Blunt, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder

0:57

Quartett "Er sterbe!"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

0:18

Dialog "Es schlägt der Rache Stunde!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder

0:09

Duett "O namenlose Freude!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Lisa Milne

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Andrew Kennedy, Henry Waddington, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album