‎Beethoven: Fidelio, Op. 72 by The Glyndebourne Chorus

Ouvertüre

Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Henry Waddington, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Torsten Kerl, Anja Kampe, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe

2:17

Marsch

Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

5:44

Dialog "Aber Marzelline"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

4:19

Introduction to Act 2

Nathan Vale, Anja Kampe, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anja Kampe

0:09

Duett "O namenlose Freude!"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Torsten Kerl

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Baritone

Beethoven: Fidelio, Op. 72

On This Album