Ouvertüre
Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Arie "O wär' ich schon mit dir vereint"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Ihr habt schon recht, Meister Rocco"
Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne
Marsch
Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne
Dialog "Die Depeschen"
Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Rezitativ "Abscheulicher! Wo eilst du hin?"
Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Aber Marzelline"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "O welche Lust!"
Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Nun sprecht, wie ging's?"
Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Ach! Vater, eilt!"
Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Introduction to Act 2
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Arie "Gott! Welch' Dunkel hier!"
Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder
Arie "In des Lebens Frühlingstagen"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder
Duett "Nur hurtig fort, nur frisch gegraben"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Dialog "Er erwacht!"
Thomas Blunt, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Euch werde Lohn in besser'n Welten"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Quartett "Er sterbe!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt
Dialog "Vater Rocco!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, London Philharmonic Orchestra
Dialog "Es schlägt der Rache Stunde!"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder
Dialog "Meine Leonore, was hast du für mich erduldet!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Duett "O namenlose Freude!"
Lisa Milne, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt
Dialog "Gute Botschaft"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Finale "Heil sei dem Tag, Heil sei der Stunde"
Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Des besten königs Wink und Wille"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Mark Elder, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra