‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Torsten Kerl, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Thomas Blunt, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Thomas Blunt, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Anja Kampe, Peter Coleman-Wright

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra

2:17

Marsch

Brindley Sherratt, Mark Elder, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Lisa Milne

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Lisa Milne, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

5:44

Dialog "Aber Marzelline"

The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Anja Kampe

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Lisa Milne, Thomas Blunt, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Mark Elder, Thomas Blunt, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Lisa Milne, Thomas Blunt, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Mark Elder, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe

0:57

Quartett "Er sterbe!"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Mark Elder, Lisa Milne, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Torsten Kerl, Brindley Sherratt, Anja Kampe, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Mark Elder, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Brindley Sherratt, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Peter Coleman-Wright

Baritone

Beethoven: Fidelio, Op. 72

On This Album