‎Beethoven: Fidelio, Op. 72 by Nathan Vale

Ouvertüre

Anthony Cleverton, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Thomas Blunt, Lisa Milne, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, Lisa Milne, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Lisa Milne

4:35

Dialog "Höre, Fidelio..."

The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Lisa Milne, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Mark Elder, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton

2:17

Marsch

Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Anthony Cleverton, Lisa Milne, Mark Elder, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Anthony Cleverton, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anja Kampe

4:19

Introduction to Act 2

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Thomas Blunt, Lisa Milne, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Mark Elder, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Lisa Milne, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Lisa Milne, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, Anja Kampe, Nathan Vale, Torsten Kerl, Mark Elder

3:59

Dialog "Er erwacht!"

Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

0:57

Quartett "Er sterbe!"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Thomas Blunt, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anja Kampe

2:55

Dialog "Gute Botschaft"

Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anja Kampe, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album