Ouvertüre
Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl
Dialog "Jaquino, Jaquino!"
Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl
Quartett "Mir ist so wunderbar"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Dialog "Höre, Fidelio..."
Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Hat man nicht auch Gold beineben"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Ihr habt schon recht, Meister Rocco"
Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl
Terzett "Nur auf der Hut, dann geht es gut"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe
Marsch
Lisa Milne, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra
Dialog "Die Depeschen"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Mark Elder, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Rezitativ "Abscheulicher! Wo eilst du hin?"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Komm, Hoffnung, lass den letzten Stern"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Aber Marzelline"
Thomas Blunt, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "O welche Lust!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Finale "Nun sprecht, wie ging's?"
Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Ach! Vater, eilt!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, London Philharmonic Orchestra
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne
Finale "Leb' wohl, du warmes Sonnenlicht"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Introduction to Act 2
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder
Arie "Gott! Welch' Dunkel hier!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne
Arie "In des Lebens Frühlingstagen"
Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Duett "Nur hurtig fort, nur frisch gegraben"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Er erwacht!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Quartett "Er sterbe!"
Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Vater Rocco!"
Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe
Dialog "Es schlägt der Rache Stunde!"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "O namenlose Freude!"
Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy
Dialog "Gute Botschaft"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra
Finale "Heil sei dem Tag, Heil sei der Stunde"
London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Des besten königs Wink und Wille"
Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt, Brindley Sherratt
Finale "Gott! Welch ein Augenblick!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder