IV. Les entretiens de la Belle et de la Bête
Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Sir Alexander Gibson, Don Garrard, Rachel Mathes, Scottish Chamber Orchestra, Stafford Dean, John Shirley-Quirk
Aria. "Madamina, il catalogo è questo" (Leporello)
Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Aria. "Or sai chi l'onore" (Donna Anna)
Sir Alexander Gibson, Rachel Mathes, Scottish Chamber Orchestra
Aria. "Fin ch'han dal vino" (Don Giovanni)
Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
I. Introduction et marche royale du lion
II. Poules et coqs
IX. Le coucou au fond des bois
XIII. Le cygne
Royal Scottish National Orchestra, Sir Alexander Gibson, Peter Katin, Adrian Shepherd, Philip Fowke
Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus)
Jonny Blanc, Catherine Wilson, Sir Alexander Gibson, Scottish Opera Chorus, Patricia Hay, David Hillman, Gordon Sandison, David Fieldsend, Scottish Philharmonia
Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus)
Scottish Philharmonia, Scottish Opera Chorus, Catherine Wilson, Sir Alexander Gibson
Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo)
Catherine Wilson, Scottish Philharmonia, Sir Alexander Gibson, Jonny Blanc
Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch)
Jonny Blanc, Peter Bodenham, William McCue, Sir Alexander Gibson, ARTHUR JACKSON, David Scrivens, Scottish Philharmonia, Scottish Opera Chorus, Patricia Hay
Duet. "Love Unspoken" (Hanna, Danilo)
Scottish Philharmonia, Sir Alexander Gibson, Jonny Blanc, Catherine Wilson
Smyth: The Wreckers
I. Andante con moto - Allegro un poco agitato
IV. Allegro vivacissimo - Allegro maestoso assai
"Ma dell'arido stelo divulsa" (Amelia)
Scena ed aria. "Alzati! Là tuo figlio" (Anckarström)
Cristina Deutekom, Jan Derksen, Patricia Hay, Pieter van den Berg, Royal Scottish National Orchestra, William McCue, Sir Alexander Gibson
"Eri tu che macchiavi quell'anima" (Anckarström)
Sir Alexander Gibson, Royal Scottish National Orchestra, Jan Derksen
Quartetto. "Qual è dunque l'eletto?" - "Ah! Del Conte la morte si vuole!" (Anckarström, Horn, Ribbing, Amelia)
Royal Scottish National Orchestra, Pieter van den Berg, Jan Derksen, Cristina Deutekom, William McCue, Sir Alexander Gibson
Scena e quintetto. "Il messaggio entri" (Anckarström, Oscar, Amelia, Horn, Ribbing)
Cristina Deutekom, Pieter van den Berg, Patricia Hay, William McCue, Sir Alexander Gibson, Jan Derksen, Royal Scottish National Orchestra
"Ah! Di che fulgor, che musiche" (Oscar, Amelia, Anckarström, Horn, Ribbing)
Cristina Deutekom, Patricia Hay, William McCue, Sir Alexander Gibson, Royal Scottish National Orchestra, Jan Derksen, Pieter van den Berg
German
R. Vaughan Williams: Symphony No. 5 in D Major
H. MacCunn
The Land of the Mountain and the Flood, Op. 3
"Wie du warst! Wie du bist!" (Octavian, Marschallin)
"Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
"Di rigori armato il seno" (Sänger)
Sir Alexander Gibson, Royal Scottish National Orchestra, Derek Blackwell
"Mir ist die Ehre widerfahren" (Octavian, Sophie)
"Ohne mich, ohne mich" (Ochs, Annina)
Michael Langdon, Royal Scottish National Orchestra, Sir Alexander Gibson, Claire Livingstone
"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Berlioz: Les Troyens, H 133, Act 5
"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Fantasia in C Minor, Op. 80 "Choral Fantasy"
Royal Scottish National Orchestra, Scottish National Orchestra Chorus, John Lill, Sir Alexander Gibson
I. Das Trinklied vom Jammer der Erde
V. Der Trunkene im Frühling
Harty
