‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:17

Marsch

Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Torsten Kerl

1:37

Finale "O welche Lust!"

Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton

2:49

Finale "Nun sprecht, wie ging's?"

The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Thomas Blunt, Mark Elder, The Glyndebourne Chorus

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anja Kampe

0:57

Quartett "Er sterbe!"

Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl

3:32

Dialog "Vater Rocco!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album