Ouvertüre
The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Nathan Vale, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Thomas Blunt, Torsten Kerl
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt
Arie "O wär' ich schon mit dir vereint"
Torsten Kerl, Mark Elder, Nathan Vale, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl
Quartett "Mir ist so wunderbar"
Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe
Dialog "Höre, Fidelio..."
Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe
Arie "Hat man nicht auch Gold beineben"
London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe
Dialog "Ihr habt schon recht, Meister Rocco"
The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Brindley Sherratt, Lisa Milne, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Anja Kampe
Terzett "Nur auf der Hut, dann geht es gut"
Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne
Marsch
Brindley Sherratt, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe
Dialog "Die Depeschen"
Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anja Kampe
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt
Rezitativ "Abscheulicher! Wo eilst du hin?"
The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Torsten Kerl, Anja Kampe
Arie "Komm, Hoffnung, lass den letzten Stern"
Anthony Cleverton, Mark Elder, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe
Dialog "Aber Marzelline"
London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Mark Elder
Finale "O welche Lust!"
Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Anja Kampe
Finale "Ach! Vater, eilt!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe
Introduction to Act 2
Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale
Arie "Gott! Welch' Dunkel hier!"
Thomas Blunt, Lisa Milne, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Anja Kampe
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Anja Kampe
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Anja Kampe
Duett "Nur hurtig fort, nur frisch gegraben"
Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe, Nathan Vale, Thomas Blunt
Dialog "Er erwacht!"
Lisa Milne, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Quartett "Er sterbe!"
Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Anja Kampe
Dialog "Vater Rocco!"
Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Anja Kampe
Dialog "Es schlägt der Rache Stunde!"
Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, Thomas Blunt, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe
