IV. Les entretiens de la Belle et de la Bête
Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Sir Alexander Gibson· Don Garrard· Stafford Dean· Scottish Chamber Orchestra· Rachel Mathes· John Shirley-Quirk
Aria. "Madamina, il catalogo è questo" (Leporello)
Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Aria. "Or sai chi l'onore" (Donna Anna)
Scottish Chamber Orchestra· Rachel Mathes· Sir Alexander Gibson
Aria. "Fin ch'han dal vino" (Don Giovanni)
Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
I. Introduction et marche royale du lion
II. Poules et coqs
IX. Le coucou au fond des bois
XIII. Le cygne
Philip Fowke· Sir Alexander Gibson· Royal Scottish National Orchestra· Peter Katin· Adrian Shepherd
Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus)
Gordon Sandison· David Fieldsend· Scottish Opera Chorus· Jonny Blanc· Catherine Wilson· Scottish Philharmonia· Sir Alexander Gibson· David Hillman· Patricia Hay
Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus)
Catherine Wilson· Scottish Philharmonia· Sir Alexander Gibson· Scottish Opera Chorus
Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo)
Scottish Philharmonia· Sir Alexander Gibson· Jonny Blanc· Catherine Wilson
Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch)
William McCue· Sir Alexander Gibson· Jonny Blanc· Peter Bodenham· Scottish Philharmonia· Scottish Opera Chorus· Patricia Hay· ARTHUR JACKSON· David Scrivens
Duet. "Love Unspoken" (Hanna, Danilo)
Scottish Philharmonia· Sir Alexander Gibson· Jonny Blanc· Catherine Wilson
Smyth: The Wreckers
I. Andante con moto - Allegro un poco agitato
IV. Allegro vivacissimo - Allegro maestoso assai
"Ma dell'arido stelo divulsa" (Amelia)
Scena ed aria. "Alzati! Là tuo figlio" (Anckarström)
Cristina Deutekom· Pieter van den Berg· William McCue· Sir Alexander Gibson· Patricia Hay· Royal Scottish National Orchestra· Jan Derksen
"Eri tu che macchiavi quell'anima" (Anckarström)
Jan Derksen· Sir Alexander Gibson· Royal Scottish National Orchestra
Quartetto. "Qual è dunque l'eletto?" - "Ah! Del Conte la morte si vuole!" (Anckarström, Horn, Ribbing, Amelia)
Royal Scottish National Orchestra· William McCue· Sir Alexander Gibson· Jan Derksen· Pieter van den Berg· Cristina Deutekom
Scena e quintetto. "Il messaggio entri" (Anckarström, Oscar, Amelia, Horn, Ribbing)
Patricia Hay· William McCue· Sir Alexander Gibson· Cristina Deutekom· Jan Derksen· Royal Scottish National Orchestra· Pieter van den Berg
"Ah! Di che fulgor, che musiche" (Oscar, Amelia, Anckarström, Horn, Ribbing)
William McCue· Sir Alexander Gibson· Jan Derksen· Patricia Hay· Cristina Deutekom· Pieter van den Berg· Royal Scottish National Orchestra
H. MacCunn
The Land of the Mountain and the Flood, Op. 3
"Wie du warst! Wie du bist!" (Octavian, Marschallin)
"Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
"Di rigori armato il seno" (Sänger)
Sir Alexander Gibson· Derek Blackwell· Royal Scottish National Orchestra
"Mir ist die Ehre widerfahren" (Octavian, Sophie)
"Ohne mich, ohne mich" (Ochs, Annina)
Michael Langdon· Claire Livingstone· Sir Alexander Gibson· Royal Scottish National Orchestra
"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Berlioz: Les Troyens, H 133, Act 5
"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Fantasia in C Minor, Op. 80 "Choral Fantasy"
John Lill· Scottish National Orchestra Chorus· Sir Alexander Gibson· Royal Scottish National Orchestra
I. Das Trinklied vom Jammer der Erde
V. Der Trunkene im Frühling
Harty
