‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton

2:17

Marsch

London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy

2:49

Finale "Nun sprecht, wie ging's?"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton

4:58

Finale "Ach! Vater, eilt!"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus

4:19

Introduction to Act 2

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

3:59

Dialog "Er erwacht!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne

0:57

Quartett "Er sterbe!"

Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

2:55

Dialog "Gute Botschaft"

Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton

4:44

Finale "Gott! Welch ein Augenblick!"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album