Ouvertüre
Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Lisa Milne
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Mark Elder
Dialog "Jaquino, Jaquino!"
Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Thomas Blunt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Quartett "Mir ist so wunderbar"
Torsten Kerl, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton
Dialog "Höre, Fidelio..."
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus
Terzett "Nur auf der Hut, dann geht es gut"
Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl
Marsch
Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Die Depeschen"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne
Arie mit Chor "Ha! Welch ein Augenblick!"
Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Thomas Blunt, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Duett "Jetzt, Alter, jetzt hat es Eile!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra
Rezitativ "Abscheulicher! Wo eilst du hin?"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Arie "Komm, Hoffnung, lass den letzten Stern"
Mark Elder, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt
Dialog "Aber Marzelline"
Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Finale "O welche Lust!"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra
Finale "Nun sprecht, wie ging's?"
Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl
Finale "Ach! Vater, eilt!"
Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Introduction to Act 2
Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Arie "Gott! Welch' Dunkel hier!"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Mark Elder
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "Nur hurtig fort, nur frisch gegraben"
Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Er erwacht!"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Torsten Kerl
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, The Glyndebourne Chorus
Quartett "Er sterbe!"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Dialog "Vater Rocco!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Duett "O namenlose Freude!"
Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Dialog "Gute Botschaft"
Thomas Blunt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
Lisa Milne, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Des besten königs Wink und Wille"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Mark Elder
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne