Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Jaquino, Jaquino!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne
Arie "O wär' ich schon mit dir vereint"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Quartett "Mir ist so wunderbar"
Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Höre, Fidelio..."
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Terzett "Nur auf der Hut, dann geht es gut"
The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Marsch
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Die Depeschen"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus
Dialog "Aber Marzelline"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne
Finale "O welche Lust!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder
Finale "Nun sprecht, wie ging's?"
Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne
Finale "Ach! Vater, eilt!"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Finale "Leb' wohl, du warmes Sonnenlicht"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne
Introduction to Act 2
London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Arie "In des Lebens Frühlingstagen"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Duett "Nur hurtig fort, nur frisch gegraben"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Er erwacht!"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Quartett "Er sterbe!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton
Dialog "Vater Rocco!"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Torsten Kerl, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Dialog "Meine Leonore, was hast du für mich erduldet!"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "O namenlose Freude!"
Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Gute Botschaft"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Finale "Heil sei dem Tag, Heil sei der Stunde"
The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Gott! Welch ein Augenblick!"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder