Act I Scene 1: Preludio
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra
Act I Scene 1: Tu sei turbato! (Normanno)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Cruda funesta smania (Enrico)
Gian Piero Mastromei, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Lidia de la Merced, Alfredo Kraus
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act I Scene 1: La pietade in suo favore (Enrico)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Juan Emilio Martini, Beverly Sills, Gian Piero Mastromei, Victor de Narke
Act I Scene 2: Preludio
Lidia de la Merced, Alfredo Kraus, Jose Nait, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Ancor non giunse! (Lucia)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait
Act I Scene 2: Regnava nel silenzio (Lucia)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Quando rapito in estasi (Lucia)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Egli s'avanza (Alisa)
Lidia de la Merced, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Victor de Narke, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Beverly Sills
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act II Scene 1: Appressati, Lucia (Lucia)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act II Scene 1: Soffriva nel pianto … (Lucia)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Jose Nait
Act II Scene 1: Che fia … (Lucia)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills, Victor de Narke
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Jose Nait, Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ebben? (Lucia)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Gian Piero Mastromei, Jose Nait, Victor de Narke, Juan Emilio Martini
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 2: Dov'e Lucia? (Arturo)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Jose Nait, Gian Piero Mastromei, Beverly Sills, Victor de Narke
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Victor de Narke, Jose Nait, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Beverly Sills
Act III Scene 1: Orrida e questa notte (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Jose Nait, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Jose Nait
Act III Scene 2: D'immenso giubilo (Chorus)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Victor de Narke
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Lidia de la Merced
Act III Scene 2: Oh giusto cielo! (Chorus)
Victor de Narke, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus
Act III Scene 2: S'avanza Enrico (Raimondo)
Jose Nait, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Si tragga altrove (Enrico)
Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Victor de Narke, Alfredo Kraus
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Beverly Sills, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Juan Emilio Martini, Lidia de la Merced, Jose Nait, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Gian Piero Mastromei, Victor de Narke
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills
Act III Scene 3: Oh, meschina! (Chorus)
Lidia de la Merced, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Victor de Narke, Jose Nait, Beverly Sills, Juan Emilio Martini
