I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, Highgate School Boys Choir, Leonard Bernstein, London Symphony Orchestra, Collegiate Chorale, Israel Philharmonic Orchestra, Boys' Choir of The Church of The Transfiguration
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein
III. Comodo. Scherzando
Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration
IV. Sehr langsam; Misterioso
Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
London Symphony Orchestra, Leeds Festival Chorus, London Symphony Chorus, Leonard Bernstein, Highgate School Boys Choir, Orpington Junior Singers, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Finchley Children's Music Group, London Symphony Chorus, Orpington Junior Singers, London Symphony Orchestra, Leeds Festival Chorus, Leonard Bernstein, Highgate School Boys Choir
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen