‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

London Philharmonic Orchestra, Lisa Milne, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Anja Kampe, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Brindley Sherratt, Andrew Kennedy

0:55

Arie "O wär' ich schon mit dir vereint"

Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Torsten Kerl, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Nathan Vale, Lisa Milne, Anja Kampe, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Nathan Vale, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Thomas Blunt, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt, Anthony Cleverton

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anja Kampe, Henry Waddington, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anthony Cleverton, Andrew Kennedy, Henry Waddington, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Nathan Vale, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Nathan Vale, Thomas Blunt, Anthony Cleverton, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Anja Kampe, Brindley Sherratt

2:17

Marsch

Anthony Cleverton, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Anthony Cleverton, Torsten Kerl, Henry Waddington, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Anja Kampe, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Henry Waddington, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Torsten Kerl, Henry Waddington, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Henry Waddington, Nathan Vale, Anthony Cleverton, Mark Elder, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Andrew Kennedy, Lisa Milne, Henry Waddington, Mark Elder, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Nathan Vale, Henry Waddington, Lisa Milne, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, Lisa Milne, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Anja Kampe

4:19

Introduction to Act 2

The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Nathan Vale, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Torsten Kerl, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Mark Elder, Brindley Sherratt, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Lisa Milne, The Glyndebourne Chorus

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Mark Elder

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Thomas Blunt, Henry Waddington, Brindley Sherratt, Mark Elder, Andrew Kennedy, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Thomas Blunt, Brindley Sherratt

0:57

Quartett "Er sterbe!"

Mark Elder, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Brindley Sherratt, Thomas Blunt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Henry Waddington, Thomas Blunt, Nathan Vale, Lisa Milne, Anthony Cleverton, Anja Kampe

0:09

Duett "O namenlose Freude!"

Lisa Milne, Thomas Blunt, Anthony Cleverton, Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, Andrew Kennedy, Lisa Milne, Torsten Kerl, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Thomas Blunt, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Mark Elder, Anja Kampe, London Philharmonic Orchestra

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Andrew Kennedy, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Henry Waddington, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Mark Elder

Conductor
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album