‎Beethoven: Fidelio, Op. 72 by Henry Waddington

Ouvertüre

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anja Kampe, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Mark Elder, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra

2:17

Marsch

Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale

2:02

Dialog "Die Depeschen"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale

5:44

Dialog "Aber Marzelline"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, Anja Kampe, Nathan Vale

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

3:59

Dialog "Er erwacht!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

0:57

Quartett "Er sterbe!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale

2:55

Dialog "Gute Botschaft"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album