Ouvertüre
London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Torsten Kerl
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Jaquino, Jaquino!"
Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt
Arie "O wär' ich schon mit dir vereint"
Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Höre, Fidelio..."
Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Arie "Hat man nicht auch Gold beineben"
Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl
Dialog "Ihr habt schon recht, Meister Rocco"
Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt
Marsch
Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra
Dialog "Die Depeschen"
Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder
Arie mit Chor "Ha! Welch ein Augenblick!"
London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Brindley Sherratt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt
Rezitativ "Abscheulicher! Wo eilst du hin?"
Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt
Dialog "Aber Marzelline"
London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Brindley Sherratt
Finale "O welche Lust!"
Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt
Finale "Nun sprecht, wie ging's?"
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Finale "Ach! Vater, eilt!"
London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Peter Coleman-Wright
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Finale "Leb' wohl, du warmes Sonnenlicht"
Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt
Introduction to Act 2
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt
Arie "Gott! Welch' Dunkel hier!"
Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt
Arie "In des Lebens Frühlingstagen"
Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt
Duett "Nur hurtig fort, nur frisch gegraben"
Lisa Milne, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright
Dialog "Er erwacht!"
Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt
Terzett "Euch werde Lohn in besser'n Welten"
Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Brindley Sherratt
Quartett "Er sterbe!"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt
Dialog "Vater Rocco!"
Thomas Blunt, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt
Dialog "Es schlägt der Rache Stunde!"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt
Dialog "Meine Leonore, was hast du für mich erduldet!"
Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt
Duett "O namenlose Freude!"
Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt
Dialog "Gute Botschaft"
Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt
Finale "Des besten königs Wink und Wille"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt
Finale "Gott! Welch ein Augenblick!"
Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Brindley Sherratt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt