Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus
Dialog "Ihr habt schon recht, Meister Rocco"
The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Terzett "Nur auf der Hut, dann geht es gut"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Marsch
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Dialog "Die Depeschen"
Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Dialog "Aber Marzelline"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Finale "O welche Lust!"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy
Finale "Nun sprecht, wie ging's?"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Finale "Ach! Vater, eilt!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder
Introduction to Act 2
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Arie "Gott! Welch' Dunkel hier!"
Brindley Sherratt, Nathan Vale, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Arie "In des Lebens Frühlingstagen"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Er erwacht!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton
Terzett "Euch werde Lohn in besser'n Welten"
Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder
Quartett "Er sterbe!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Dialog "Vater Rocco!"
Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Es schlägt der Rache Stunde!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Duett "O namenlose Freude!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Gute Botschaft"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Des besten königs Wink und Wille"
Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus