Act I Scene 1: Preludio
Gian Piero Mastromei, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Juan Emilio Martini, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Alfredo Kraus, Jose Nait, Beverly Sills, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei
Act I Scene 1: Tu sei turbato! (Normanno)
Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Beverly Sills
Act I Scene 1: Cruda funesta smania (Enrico)
Juan Emilio Martini, Lidia de la Merced, Victor de Narke, Alfredo Kraus, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Beverly Sills, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Juan Emilio Martini, Alfredo Kraus
Act I Scene 1: La pietade in suo favore (Enrico)
Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus
Act I Scene 2: Preludio
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Lidia de la Merced, Alfredo Kraus, Jose Nait
Act I Scene 2: Ancor non giunse! (Lucia)
Alfredo Kraus, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Regnava nel silenzio (Lucia)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait
Act I Scene 2: Quando rapito in estasi (Lucia)
Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait
Act I Scene 2: Egli s'avanza (Alisa)
Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Victor de Narke
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Victor de Narke, Jose Nait, Gian Piero Mastromei, Juan Emilio Martini, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Juan Emilio Martini, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Gian Piero Mastromei, Alfredo Kraus
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Jose Nait, Lidia de la Merced, Juan Emilio Martini, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Alfredo Kraus
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke
Act II Scene 1: Appressati, Lucia (Lucia)
Jose Nait, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Beverly Sills, Alfredo Kraus
Act II Scene 1: Soffriva nel pianto … (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act II Scene 1: Che fia … (Lucia)
Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Jose Nait, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Beverly Sills
Act II Scene 2: Ebben? (Lucia)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Jose Nait, Alfredo Kraus
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Beverly Sills, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Gian Piero Mastromei, Beverly Sills
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait
Act II Scene 2: Dov'e Lucia? (Arturo)
Jose Nait, Beverly Sills, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Alfredo Kraus
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Alfredo Kraus, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Lidia de la Merced
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini
Act III Scene 1: Orrida e questa notte (Edgardo)
Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Gian Piero Mastromei
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Beverly Sills, Victor de Narke, Gian Piero Mastromei, Alfredo Kraus, Lidia de la Merced, Jose Nait
Act III Scene 2: D'immenso giubilo (Chorus)
Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Jose Nait, Lidia de la Merced, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Alfredo Kraus, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Jose Nait
Act III Scene 2: Oh giusto cielo! (Chorus)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Jose Nait
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Lidia de la Merced, Jose Nait, Gian Piero Mastromei
Act III Scene 2: S'avanza Enrico (Raimondo)
Gian Piero Mastromei, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills
Act III Scene 2: Si tragga altrove (Enrico)
Beverly Sills, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Victor de Narke, Alfredo Kraus, Juan Emilio Martini
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Beverly Sills, Alfredo Kraus, Juan Emilio Martini
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Lidia de la Merced, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Beverly Sills, Jose Nait, Juan Emilio Martini
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Gian Piero Mastromei, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus
Act III Scene 3: Oh, meschina! (Chorus)
Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Alfredo Kraus, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Beverly Sills
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Alfredo Kraus, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Juan Emilio Martini
