Ouvertüre
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne
Dialog "Jaquino, Jaquino!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Arie "O wär' ich schon mit dir vereint"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Quartett "Mir ist so wunderbar"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Höre, Fidelio..."
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Ihr habt schon recht, Meister Rocco"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Terzett "Nur auf der Hut, dann geht es gut"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus
Marsch
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus
Dialog "Die Depeschen"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Arie mit Chor "Ha! Welch ein Augenblick!"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Aber Marzelline"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Finale "O welche Lust!"
Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Finale "Nun sprecht, wie ging's?"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne
Finale "Ach! Vater, eilt!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Introduction to Act 2
Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Arie "In des Lebens Frühlingstagen"
The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Dialog "Er erwacht!"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Quartett "Er sterbe!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Duett "O namenlose Freude!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Gute Botschaft"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Heil sei dem Tag, Heil sei der Stunde"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Finale "Des besten königs Wink und Wille"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder