Introduction
Introduction
Leighton Pugh
Great Composers in Words & Music: Wolfgang Amadeus Mozart
Various Artists
Sull'aria (Excerpt)
Patrizia Pace, Maria Pia Ionata, Pier Giorgio Morandi, Hungarian State Opera Orchestra
I Love Mozart as the Musical Christ
I Love Mozart as the Musical Christ
Leighton Pugh
Before He Was Six Years Old
Before He Was Six Years Old
Leighton Pugh
However Complex Its Genesis
However Complex Its Genesis
Leighton Pugh
Another Work That Stands Out Among Mozart’s Early Repertoire
Another Work That Stands Out Among Mozart’s Early Repertoire
Leighton Pugh
I. Kyrie (Excerpt)
Celina Lindsley, RIAS Kammerchor, Walton Grönroos, Marcus Creed, Rundfunk-Sinfonieorchester Berlin, Gabriele Schreckenbach, Werner Hollweg
Returning to Salzburg After His Three Italian Sojourns
Returning to Salzburg After His Three Italian Sojourns
Leighton Pugh
In the Summer of 1777
In the Summer of 1777
Leighton Pugh
Despite His Demanding Schedule
Despite His Demanding Schedule
Leighton Pugh
Happiness, However Soon Turned to Despair
Happiness, However Soon Turned to Despair
Leighton Pugh
By Way of Mannheim and Munich
By Way of Mannheim and Munich
Leighton Pugh
II. Gloria [Excerpt]
Anna Di Mauro, Johannes Wildner, John Dickie, Kosice Teachers' Choir, Andrea Martin, Priti Coles, Camerata Cassovia
Over Time, Mozart Appears to Have Played
Over Time, Mozart Appears to Have Played
Leighton Pugh
Mozart’s Keyboard Playing Was Widely Recognised
Mozart’s Keyboard Playing Was Widely Recognised
Leighton Pugh
Christoph Friedrich Bretzner: Die Entführung aus dem Serail, K. 384
Shortly After the Premiere
Shortly After the Premiere
Leighton Pugh
W. A. Mozart: String Quartet No. 16 in E-Flat Major, K. 428
While Instrumental Genres and Chamber Music
While Instrumental Genres and Chamber Music
Leighton Pugh
W. A. Mozart: Le nozze di Figaro, K. 492
La vendetta, oh, la vendetta! (Excerpt)
Pier Giorgio Morandi, Donato di Stefano, Hungarian State Opera Orchestra
There Are Reports of Encores at the First Performances
There Are Reports of Encores at the First Performances
Leighton Pugh
Don Giovanni, a cenar teco (Excerpt)
Janusz Monarcha, Nicolaus Esterházy Sinfonia, Renato Girolami, Hungarian Radio and Television Chorus, Michael Halász, Bo Skovhus
On Returning to Vienna, Mozart Received Good News
On Returning to Vienna, Mozart Received Good News
Leighton Pugh
Seemingly Keen for a Change of Scene
Seemingly Keen for a Change of Scene
Leighton Pugh
W. A. Mozart: Così fan tutte, K. 588
Besides Così, Mozart Completed Relatively Few Compositions
Besides Così, Mozart Completed Relatively Few Compositions
Leighton Pugh
Emanuel Schikaneder: Die Zauberflöte, K. 620
Der, welcher wandert diese Strasse voll Beschwerden (Excerpt)
Peter Jelosits, Herbert Lippert, Michael Halász, Peter Koves, Elisabeth Norberg-Schulz, Budapest Failoni Chamber Orchestra
The Magic Flute Was Not Mozart’s Only Stage Work of 1791
The Magic Flute Was Not Mozart’s Only Stage Work of 1791
Leighton Pugh
The Clarinet Concerto Marked Mozart’s Farewell
The Clarinet Concerto Marked Mozart’s Farewell
Leighton Pugh
Having Become Ill Towards the End of November
Having Become Ill Towards the End of November
Leighton Pugh