Poco adagio - Più mosso
George London, Eugene Conley, Manhattan Public School Boy's Chorus, Schola Cantorium, Carlos Alexander, Frances Yeend, New York Philharmonic, Martha Lipton, Leopold Stokowski, Uta Graf, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
George London, Uta Graf, Eugene Conley, Leopold Stokowski, New York Philharmonic, Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, Schola Cantorium, Martha Lipton, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Uta Graf, Carlos Alexander, Martha Lipton, Frances Yeend, Schola Cantorium, Eugene Conley, Manhattan Public School Boy's Chorus, George London, Leopold Stokowski, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Gerettet ist das edle Glied (Chorus of Angels)
Eugene Conley, Uta Graf, Leopold Stokowski, New York Philharmonic, Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, Martha Lipton, George London, Schola Cantorium, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Dir, der Unberuhrbaren (Chorus)
George London, Uta Graf, Manhattan Public School Boy's Chorus, Martha Lipton, Leopold Stokowski, Carlos Alexander, Frances Yeend, Schola Cantorium, New York Philharmonic, Eugene Conley, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Manhattan Public School Boy's Chorus, Uta Graf, Schola Cantorium, Martha Lipton, Eugene Conley, Leopold Stokowski, George London, New York Philharmonic, Carlos Alexander, Frances Yeend, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Carlos Alexander, Uta Graf, Frances Yeend, Leopold Stokowski, Schola Cantorium, New York Philharmonic, Manhattan Public School Boy's Chorus, George London, Eugene Conley, Martha Lipton, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Leopold Stokowski, New York Philharmonic, George London, Martha Lipton, Manhattan Public School Boy's Chorus, Schola Cantorium, Eugene Conley, Uta Graf, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir