Poco adagio - Più mosso
Schola Cantorium, George London, Eugene Conley, New York Philharmonic, Uta Graf, Leopold Stokowski, Frances Yeend, Carlos Alexander, Martha Lipton, Manhattan Public School Boy's Chorus, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Frances Yeend, Leopold Stokowski, Uta Graf, George London, Martha Lipton, Schola Cantorium, Eugene Conley, New York Philharmonic, Carlos Alexander, Manhattan Public School Boy's Chorus, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Frances Yeend, George London, Uta Graf, Carlos Alexander, Manhattan Public School Boy's Chorus, Leopold Stokowski, Schola Cantorium, Martha Lipton, Eugene Conley, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Gerettet ist das edle Glied (Chorus of Angels)
Eugene Conley, New York Philharmonic, Martha Lipton, George London, Leopold Stokowski, Carlos Alexander, Manhattan Public School Boy's Chorus, Schola Cantorium, Uta Graf, Frances Yeend, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Dir, der Unberuhrbaren (Chorus)
Schola Cantorium, Eugene Conley, Manhattan Public School Boy's Chorus, Leopold Stokowski, Uta Graf, George London, Frances Yeend, Martha Lipton, New York Philharmonic, Carlos Alexander, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, George London, Leopold Stokowski, Martha Lipton, Uta Graf, Schola Cantorium, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
George London, Frances Yeend, Leopold Stokowski, Uta Graf, Manhattan Public School Boy's Chorus, Carlos Alexander, Martha Lipton, Schola Cantorium, Eugene Conley, New York Philharmonic, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Manhattan Public School Boy's Chorus, Carlos Alexander, Uta Graf, Eugene Conley, New York Philharmonic, George London, Schola Cantorium, Frances Yeend, Martha Lipton, Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra