Poco adagio - Più mosso
Uta Graf, Schola Cantorium, George London, Leopold Stokowski, Manhattan Public School Boy's Chorus, Eugene Conley, New York Philharmonic, Carlos Alexander, Frances Yeend, Martha Lipton, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Eugene Conley, New York Philharmonic, Leopold Stokowski, Schola Cantorium, George London, Martha Lipton, Uta Graf, Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Carlos Alexander, Frances Yeend, Schola Cantorium, George London, Eugene Conley, New York Philharmonic, Martha Lipton, Manhattan Public School Boy's Chorus, Leopold Stokowski, Uta Graf, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Gerettet ist das edle Glied (Chorus of Angels)
Martha Lipton, Leopold Stokowski, Schola Cantorium, George London, Carlos Alexander, Frances Yeend, Uta Graf, Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Dir, der Unberuhrbaren (Chorus)
Leopold Stokowski, Carlos Alexander, Frances Yeend, Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, Schola Cantorium, George London, Uta Graf, Martha Lipton, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Carlos Alexander, Frances Yeend, Uta Graf, Schola Cantorium, George London, Leopold Stokowski, Eugene Conley, New York Philharmonic, Martha Lipton, Manhattan Public School Boy's Chorus, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Uta Graf, Carlos Alexander, Frances Yeend, Leopold Stokowski, Schola Cantorium, George London, Eugene Conley, New York Philharmonic, Martha Lipton, Manhattan Public School Boy's Chorus, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Schola Cantorium, George London, Carlos Alexander, Frances Yeend, Uta Graf, Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, Martha Lipton, Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir