Poco adagio - Più mosso
Carlos Alexander, Frances Yeend, George London, Manhattan Public School Boy's Chorus, Uta Graf, New York Philharmonic, Schola Cantorium, Martha Lipton, Leopold Stokowski, Eugene Conley, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Leopold Stokowski, Carlos Alexander, Frances Yeend, Eugene Conley, New York Philharmonic, Martha Lipton, George London, Uta Graf, Schola Cantorium, Manhattan Public School Boy's Chorus, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Carlos Alexander, Frances Yeend, Schola Cantorium, George London, Eugene Conley, Martha Lipton, Manhattan Public School Boy's Chorus, New York Philharmonic, Uta Graf, Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Gerettet ist das edle Glied (Chorus of Angels)
George London, Uta Graf, Leopold Stokowski, Eugene Conley, Martha Lipton, Schola Cantorium, New York Philharmonic, Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Dir, der Unberuhrbaren (Chorus)
Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Martha Lipton, Uta Graf, New York Philharmonic, George London, Leopold Stokowski, Eugene Conley, Schola Cantorium, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Eugene Conley, Martha Lipton, Uta Graf, Schola Cantorium, George London, Manhattan Public School Boy's Chorus, New York Philharmonic, Carlos Alexander, Frances Yeend, Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Eugene Conley, George London, Schola Cantorium, Martha Lipton, Uta Graf, Leopold Stokowski, New York Philharmonic, Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Schola Cantorium, Carlos Alexander, Frances Yeend, New York Philharmonic, Manhattan Public School Boy's Chorus, Martha Lipton, Eugene Conley, Leopold Stokowski, Uta Graf, George London, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra