Ouvertüre
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Dialog "Jaquino, Jaquino!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Arie "O wär' ich schon mit dir vereint"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Quartett "Mir ist so wunderbar"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne
Dialog "Höre, Fidelio..."
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Arie "Hat man nicht auch Gold beineben"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Dialog "Ihr habt schon recht, Meister Rocco"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Terzett "Nur auf der Hut, dann geht es gut"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder
Marsch
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Dialog "Die Depeschen"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Aber Marzelline"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne
Finale "O welche Lust!"
Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Nun sprecht, wie ging's?"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne
Finale "Ach! Vater, eilt!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Mark Elder
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus
Introduction to Act 2
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Arie "Gott! Welch' Dunkel hier!"
London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder
Duett "Nur hurtig fort, nur frisch gegraben"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Dialog "Er erwacht!"
The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne
Quartett "Er sterbe!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Vater Rocco!"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Lisa Milne, Mark Elder
Duett "O namenlose Freude!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne
Dialog "Gute Botschaft"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Finale "Des besten königs Wink und Wille"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe