‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Mark Elder, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Lisa Milne, Anja Kampe, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Mark Elder, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder

2:17

Marsch

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt, Nathan Vale

2:02

Dialog "Die Depeschen"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

1:37

Finale "O welche Lust!"

Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anja Kampe, Brindley Sherratt, Torsten Kerl, Nathan Vale, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy

0:57

Quartett "Er sterbe!"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Lisa Milne

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

2:55

Dialog "Gute Botschaft"

Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album