IV. Les entretiens de la Belle et de la Bête
Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Sir Alexander Gibson, Scottish Chamber Orchestra, Rachel Mathes, Stafford Dean, Don Garrard, John Shirley-Quirk
Aria. "Madamina, il catalogo è questo" (Leporello)
Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Aria. "Or sai chi l'onore" (Donna Anna)
Scottish Chamber Orchestra, Rachel Mathes, Sir Alexander Gibson
Aria. "Fin ch'han dal vino" (Don Giovanni)
Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
I. Introduction et marche royale du lion
II. Poules et coqs
IX. Le coucou au fond des bois
XIII. Le cygne
Royal Scottish National Orchestra, Peter Katin, Adrian Shepherd, Sir Alexander Gibson, Philip Fowke
Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus)
Jonny Blanc, Catherine Wilson, Scottish Philharmonia, David Hillman, Gordon Sandison, David Fieldsend, Sir Alexander Gibson, Patricia Hay, Scottish Opera Chorus
Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus)
Sir Alexander Gibson, Scottish Opera Chorus, Scottish Philharmonia, Catherine Wilson
Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo)
Sir Alexander Gibson, Catherine Wilson, Jonny Blanc, Scottish Philharmonia
Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch)
William McCue, Sir Alexander Gibson, Jonny Blanc, Peter Bodenham, Patricia Hay, Scottish Opera Chorus, Scottish Philharmonia, ARTHUR JACKSON, David Scrivens
Duet. "Love Unspoken" (Hanna, Danilo)
Scottish Philharmonia, Jonny Blanc, Sir Alexander Gibson, Catherine Wilson
Smyth: The Wreckers
I. Andante con moto - Allegro un poco agitato
IV. Allegro vivacissimo - Allegro maestoso assai
"Ma dell'arido stelo divulsa" (Amelia)
Scena ed aria. "Alzati! Là tuo figlio" (Anckarström)
Jan Derksen, Pieter van den Berg, Cristina Deutekom, William McCue, Sir Alexander Gibson, Patricia Hay, Royal Scottish National Orchestra
"Eri tu che macchiavi quell'anima" (Anckarström)
Sir Alexander Gibson, Royal Scottish National Orchestra, Jan Derksen
Quartetto. "Qual è dunque l'eletto?" - "Ah! Del Conte la morte si vuole!" (Anckarström, Horn, Ribbing, Amelia)
William McCue, Sir Alexander Gibson, Jan Derksen, Royal Scottish National Orchestra, Cristina Deutekom, Pieter van den Berg
Scena e quintetto. "Il messaggio entri" (Anckarström, Oscar, Amelia, Horn, Ribbing)
Royal Scottish National Orchestra, William McCue, Sir Alexander Gibson, Cristina Deutekom, Pieter van den Berg, Jan Derksen, Patricia Hay
"Ah! Di che fulgor, che musiche" (Oscar, Amelia, Anckarström, Horn, Ribbing)
Pieter van den Berg, Jan Derksen, Cristina Deutekom, Royal Scottish National Orchestra, William McCue, Sir Alexander Gibson, Patricia Hay
German
R. Vaughan Williams: Symphony No. 5 in D Major
H. MacCunn
The Land of the Mountain and the Flood, Op. 3
"Wie du warst! Wie du bist!" (Octavian, Marschallin)
"Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
"Di rigori armato il seno" (Sänger)
Derek Blackwell, Sir Alexander Gibson, Royal Scottish National Orchestra
"Mir ist die Ehre widerfahren" (Octavian, Sophie)
"Ohne mich, ohne mich" (Ochs, Annina)
Royal Scottish National Orchestra, Sir Alexander Gibson, Claire Livingstone, Michael Langdon
"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Berlioz: Les Troyens, H 133, Act 5
"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Fantasia in C Minor, Op. 80 "Choral Fantasy"
Sir Alexander Gibson, Scottish National Orchestra Chorus, John Lill, Royal Scottish National Orchestra
I. Das Trinklied vom Jammer der Erde
V. Der Trunkene im Frühling
Harty
