‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, The Glyndebourne Chorus

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Mark Elder

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Anthony Cleverton

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

2:17

Marsch

Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Thomas Blunt, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus

4:19

Introduction to Act 2

Peter Coleman-Wright, Mark Elder, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale

0:57

Quartett "Er sterbe!"

Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe

0:09

Duett "O namenlose Freude!"

Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Anthony Cleverton, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album