‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright

Ouvertüre

London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Mark Elder, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Nathan Vale, Torsten Kerl, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Lisa Milne, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Anthony Cleverton, Lisa Milne, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Andrew Kennedy, Peter Coleman-Wright

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, Anja Kampe, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl

0:44

Arie "Hat man nicht auch Gold beineben"

Andrew Kennedy, Nathan Vale, Thomas Blunt, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Nathan Vale, Mark Elder

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Nathan Vale, Anthony Cleverton, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Anja Kampe, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, London Philharmonic Orchestra, Nathan Vale, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Anja Kampe

2:17

Marsch

Anthony Cleverton, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, Nathan Vale, Anthony Cleverton, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Mark Elder, Lisa Milne, Henry Waddington, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Andrew Kennedy

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale, Henry Waddington, Brindley Sherratt, Mark Elder, Anja Kampe

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Thomas Blunt, Henry Waddington, Nathan Vale, Lisa Milne, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Mark Elder, Nathan Vale, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra

4:19

Introduction to Act 2

Thomas Blunt, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Anja Kampe, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Anja Kampe, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Andrew Kennedy, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Andrew Kennedy, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Henry Waddington, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anthony Cleverton, Nathan Vale, Torsten Kerl, Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Henry Waddington, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Lisa Milne, Henry Waddington, Anja Kampe

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Mark Elder, Lisa Milne, Brindley Sherratt, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anja Kampe, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Nathan Vale, Torsten Kerl, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Anja Kampe, Brindley Sherratt, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Lisa Milne, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Nathan Vale, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Nathan Vale, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Anja Kampe

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Thomas Blunt, Nathan Vale, Anja Kampe, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Henry Waddington

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Mark Elder, Torsten Kerl, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Thomas Blunt, Torsten Kerl, Henry Waddington, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album