‎Beethoven: Fidelio, Op. 72 by The Glyndebourne Chorus

Ouvertüre

Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Henry Waddington, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

Nathan Vale, Andrew Kennedy, Lisa Milne, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Anja Kampe, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Nathan Vale, Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Henry Waddington, Mark Elder, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Andrew Kennedy, Henry Waddington, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Brindley Sherratt, Nathan Vale, Torsten Kerl, Anthony Cleverton

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Mark Elder, Lisa Milne, Nathan Vale, Anthony Cleverton, Anja Kampe, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Andrew Kennedy, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Mark Elder, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Anja Kampe, Anthony Cleverton, Torsten Kerl, Lisa Milne, Brindley Sherratt

2:17

Marsch

Lisa Milne, Mark Elder, Henry Waddington, Anthony Cleverton, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Nathan Vale

2:02

Dialog "Die Depeschen"

Lisa Milne, Mark Elder, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Anja Kampe, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Mark Elder, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Anja Kampe, Torsten Kerl, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy, Lisa Milne, Thomas Blunt, Henry Waddington, Mark Elder, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Mark Elder, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Lisa Milne, Nathan Vale, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

5:44

Dialog "Aber Marzelline"

Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Torsten Kerl

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Nathan Vale, Lisa Milne, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Mark Elder, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Lisa Milne, Brindley Sherratt, Anja Kampe, Torsten Kerl

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Brindley Sherratt, Anja Kampe, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, Lisa Milne, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

4:19

Introduction to Act 2

Thomas Blunt, Torsten Kerl, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

3:47

Arie "Gott! Welch' Dunkel hier!"

Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anja Kampe, Henry Waddington, Nathan Vale, Lisa Milne, Anthony Cleverton, Thomas Blunt, Andrew Kennedy, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, London Philharmonic Orchestra, Mark Elder, Andrew Kennedy, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Lisa Milne, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Brindley Sherratt, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Henry Waddington, Anja Kampe

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Henry Waddington, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Anja Kampe, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Mark Elder, Henry Waddington, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Mark Elder

0:57

Quartett "Er sterbe!"

Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, Torsten Kerl, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

3:32

Dialog "Vater Rocco!"

Thomas Blunt, Lisa Milne, Henry Waddington, Anthony Cleverton, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Thomas Blunt, Mark Elder, Henry Waddington, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt

0:09

Duett "O namenlose Freude!"

Thomas Blunt, Torsten Kerl, Andrew Kennedy, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:55

Dialog "Gute Botschaft"

Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Nathan Vale, Andrew Kennedy, Anja Kampe, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Andrew Kennedy, Henry Waddington, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Mark Elder, Anthony Cleverton, Torsten Kerl

2:04

Finale "Des besten königs Wink und Wille"

Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Mark Elder, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Thomas Blunt, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Andrew Kennedy, Henry Waddington, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album