Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· George Jongyans· Nino Sanzogno· Mabel Mercer· Leon Lishner· Studio Orchestra· Margherita Carosio· Maria Marlo· Gloria Lane· Studio Chorus· Marie Powers· Lehman Engel· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Elena Mazzoni· Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Lydia Summers

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Lehman Engel· Leon Lishner· Studio Chorus· Studio Orchestra· Patricia Neway· Gloria Lane· Cornell MacNeil· George Jongyans· Francis Monachino· Marie Powers· Maria Marlo· Andrew McKinley· Lydia Summers· Mabel Mercer

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Studio Chorus· Mabel Mercer· Cornell MacNeil· Andrew McKinley· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Lehman Engel· Maria Marlo· Lydia Summers· Patricia Neway

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

Patricia Neway· Studio Chorus· Cornell MacNeil· Lehman Engel· Marie Powers· Mabel Mercer· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Maria Marlo· Leon Lishner· Lydia Summers

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Studio Chorus· Mabel Mercer· Cornell MacNeil· Andrew McKinley· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Lehman Engel· Maria Marlo· Lydia Summers· Patricia Neway

4:18

Act I Scene 2: Interlude

Studio Chorus· Lehman Engel· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Andrew McKinley· Maria Marlo· Cornell MacNeil· Patricia Neway· Lydia Summers· Gloria Lane· Mabel Mercer

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Cornell MacNeil· Patricia Neway· Mabel Mercer· Andrew McKinley· Leon Lishner· Gloria Lane· Maria Marlo· Lehman Engel· Lydia Summers· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Lehman Engel· Gloria Lane· Maria Marlo· Leon Lishner· Mabel Mercer· Marie Powers· Andrew McKinley· Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Cornell MacNeil· Studio Chorus

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Andrew McKinley· Maria Marlo· Mabel Mercer· Lydia Summers· Lehman Engel· Gloria Lane· Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Studio Chorus· Leon Lishner· Cornell MacNeil

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Maria Marlo· Gloria Lane· Marie Powers· Lydia Summers· Patricia Neway· Studio Chorus· Lehman Engel· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Mabel Mercer· Leon Lishner

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Mabel Mercer· Lehman Engel· Studio Chorus· Cornell MacNeil· Andrew McKinley· Patricia Neway· Marie Powers· Gloria Lane· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Gloria Lane· Studio Chorus· Lydia Summers· Cornell MacNeil· Leon Lishner· Mabel Mercer· Andrew McKinley· Lehman Engel· Patricia Neway

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Patricia Neway· Studio Chorus· Andrew McKinley· Maria Marlo· George Jongyans· Mabel Mercer· Francis Monachino· Studio Orchestra· Lydia Summers· Lehman Engel· Cornell MacNeil· Marie Powers· Leon Lishner· Gloria Lane

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Maria Marlo· Lydia Summers· Studio Chorus· Lehman Engel· Mabel Mercer· Cornell MacNeil· Patricia Neway· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Andrew McKinley· Gloria Lane

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Lehman Engel· Patricia Neway· Andrew McKinley· Gloria Lane· Cornell MacNeil· Mabel Mercer· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Maria Marlo· Lydia Summers· Studio Chorus

3:51

Act II Scene 1: Interlude

George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Cornell MacNeil· Maria Marlo· Marie Powers· Lydia Summers· Gloria Lane· Studio Chorus· Andrew McKinley· Mabel Mercer· Patricia Neway· Lehman Engel

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Mabel Mercer· Lehman Engel· Cornell MacNeil· Patricia Neway· Andrew McKinley· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Gloria Lane· Maria Marlo· Studio Chorus· Lydia Summers

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Maria Marlo· Leon Lishner· Gloria Lane· Lydia Summers· Cornell MacNeil· Marie Powers· Patricia Neway· Andrew McKinley· Lehman Engel· George Jongyans· Mabel Mercer· Francis Monachino· Studio Orchestra· Studio Chorus

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Marie Powers· Maria Marlo· Lehman Engel· Lydia Summers· Cornell MacNeil· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Studio Chorus· Mabel Mercer· Leon Lishner· Patricia Neway

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Lehman Engel· Andrew McKinley· Studio Chorus· Mabel Mercer· Marie Powers· Maria Marlo· Lydia Summers· Cornell MacNeil· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Maria Marlo· Lydia Summers· Studio Chorus· Gloria Lane· Patricia Neway· Marie Powers· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Lehman Engel· Leon Lishner· Mabel Mercer

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Andrew McKinley· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Gloria Lane· Leon Lishner· Cornell MacNeil· Studio Chorus· Patricia Neway· Mabel Mercer· Lehman Engel

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Gloria Lane· Studio Chorus· Maria Marlo· Lydia Summers· Andrew McKinley· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Lehman Engel· Cornell MacNeil· Patricia Neway· Mabel Mercer

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Studio Chorus· Patricia Neway· Andrew McKinley· Maria Marlo· George Jongyans· Francis Monachino· Studio Orchestra· Lydia Summers· Gloria Lane· Lehman Engel· Marie Powers· Mabel Mercer· Leon Lishner· Cornell MacNeil

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Lehman Engel· Patricia Neway· Marie Powers· Andrew McKinley· Leon Lishner· Cornell MacNeil· Maria Marlo· Lydia Summers· Mabel Mercer· Studio Chorus· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Lehman Engel· Marie Powers· Andrew McKinley· Studio Chorus· Patricia Neway· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Cornell MacNeil· Maria Marlo· Mabel Mercer· Lydia Summers

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Studio Chorus· George Jongyans· Francis Monachino· Marie Powers· Studio Orchestra· Andrew McKinley· Gloria Lane· Mabel Mercer· Leon Lishner· Patricia Neway· Lehman Engel· Cornell MacNeil· Maria Marlo· Lydia Summers

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Patricia Neway· Maria Marlo· Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Lehman Engel· Andrew McKinley· Marie Powers· Studio Chorus· Cornell MacNeil· Gloria Lane· Mabel Mercer

2:33

Orchestral prelude

Nino Sanzogno· Enrico Campi· Margherita Carosio· Rolando Panerai· Coro del Teatro alla Scala di Milano· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Maria Amadini· Elena Mazzoni· Margherita Carosio

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Margherita Carosio· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Maria Amadini

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Elena Mazzoni· Enrico Campi· Maria Amadini

2:01

Non si va! Non si va! (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Enrico Campi· Nino Sanzogno· Elena Mazzoni

1:17

Amelia, Amelia! (Husband, Amelia)

Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Nino Sanzogno

2:10

Romanza: Amelia cara (Husband)

Maria Amadini· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Margherita Carosio· Coro del Teatro alla Scala di Milano· Enrico Campi· Orchestra del Teatro alla Scala di Milano

2:22

Osi ancora negar? (Husband, Amelia)

Elena Mazzoni· Enrico Campi· Nino Sanzogno· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio

2:03

Ebbene, si (Amelia, Husband)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno

1:03

Il mio amante e quel signore (Amelia, Husband)

Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Maria Amadini· Coro del Teatro alla Scala di Milano· Margherita Carosio· Enrico Campi

1:51

Che disdetta! (Amelia, Lover)

Nino Sanzogno· Maria Amadini· Rolando Panerai· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Enrico Campi

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Margherita Carosio· Enrico Campi· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Nino Sanzogno· Rolando Panerai

2:37

Amelia! Amelia! (Lover, Amelia)

Nino Sanzogno· Elena Mazzoni· Maria Amadini· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Enrico Campi

1:05

Contro me non porta offesa (Amelia, Lover)

Maria Amadini· Elena Mazzoni· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Rolando Panerai

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Coro del Teatro alla Scala di Milano· Margherita Carosio· Rolando Panerai· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Coro del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai· Elena Mazzoni· Nino Sanzogno· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Orchestra del Teatro alla Scala di Milano

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Margherita Carosio· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Maria Amadini· Rolando Panerai· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Elena Mazzoni· Rolando Panerai· Margherita Carosio· Coro del Teatro alla Scala di Milano

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio· Rolando Panerai· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Nino Sanzogno

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Coro del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Margherita Carosio· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Giacinto Prandelli· Silvana Zanolli

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Enrico Campi· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Maria Amadini· Rolando Panerai· Elena Mazzoni

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Maria Amadini· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Enrico Campi· Rolando Panerai· Nino Sanzogno· Coro del Teatro alla Scala di Milano

1:40

Gian Carlo Menotti

Composición
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta
Rolando Panerai

Barítono
Nino Sanzogno

Dirección