‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright

Ouvertüre

Torsten Kerl, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Thomas Blunt, Peter Coleman-Wright

0:55

Arie "O wär' ich schon mit dir vereint"

Anja Kampe, Nathan Vale, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Thomas Blunt, Lisa Milne, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Mark Elder, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Lisa Milne

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Lisa Milne

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Torsten Kerl, Thomas Blunt, Lisa Milne

2:17

Marsch

Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Torsten Kerl, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anja Kampe, Brindley Sherratt, Lisa Milne

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt

1:37

Finale "O welche Lust!"

Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy

4:19

Introduction to Act 2

Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt

3:59

Dialog "Er erwacht!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Brindley Sherratt, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Lisa Milne, Anja Kampe, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt

0:57

Quartett "Er sterbe!"

Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Anja Kampe, Brindley Sherratt

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anja Kampe, Lisa Milne, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

0:18

Dialog "Es schlägt der Rache Stunde!"

Anja Kampe, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Anja Kampe, Thomas Blunt, Brindley Sherratt

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Brindley Sherratt, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Lisa Milne

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy

4:44

Finale "Gott! Welch ein Augenblick!"

Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Lisa Milne

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album