Ouvertüre
Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Henry Waddington, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder
Arie "O wär' ich schon mit dir vereint"
Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Höre, Fidelio..."
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt
Marsch
Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Die Depeschen"
Mark Elder, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Arie mit Chor "Ha! Welch ein Augenblick!"
Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Torsten Kerl, Thomas Blunt, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Torsten Kerl
Dialog "Aber Marzelline"
Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Lisa Milne
Finale "O welche Lust!"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Nun sprecht, wie ging's?"
Thomas Blunt, Mark Elder, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Finale "Ach! Vater, eilt!"
Thomas Blunt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Finale "Leb' wohl, du warmes Sonnenlicht"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Introduction to Act 2
Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, London Philharmonic Orchestra
Arie "Gott! Welch' Dunkel hier!"
Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Er erwacht!"
Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Terzett "Euch werde Lohn in besser'n Welten"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Quartett "Er sterbe!"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Torsten Kerl
Dialog "Vater Rocco!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Dialog "Es schlägt der Rache Stunde!"
Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt
Dialog "Gute Botschaft"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra
Finale "Heil sei dem Tag, Heil sei der Stunde"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl
Finale "Des besten königs Wink und Wille"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe
Finale "Gott! Welch ein Augenblick!"
Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl