I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Highgate School Boys Choir, Collegiate Chorale, Israel Philharmonic Orchestra, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, London Symphony Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
New York Philharmonic, Collegiate Chorale, Leonard Bernstein, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Women's Chorus of The Schola Cantorum, New York Philharmonic, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration
III. Comodo. Scherzando
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum
IV. Sehr langsam; Misterioso
Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Leonard Bernstein, New York Philharmonic, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Orpington Junior Singers, Highgate School Boys Choir, Leeds Festival Chorus, London Symphony Orchestra, Leonard Bernstein, London Symphony Chorus, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Finchley Children's Music Group, London Symphony Orchestra, Leeds Festival Chorus, Highgate School Boys Choir, Orpington Junior Singers, London Symphony Chorus, Leonard Bernstein
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen