‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Andrew Kennedy, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, Nathan Vale, Henry Waddington, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Torsten Kerl, Lisa Milne, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Andrew Kennedy, Lisa Milne, Anthony Cleverton, Henry Waddington, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Mark Elder, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Nathan Vale, Thomas Blunt, Mark Elder, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Torsten Kerl, Anthony Cleverton, Mark Elder, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Nathan Vale, Mark Elder, Brindley Sherratt, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Lisa Milne, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

2:17

Marsch

Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Anja Kampe, Lisa Milne, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt, Henry Waddington, Torsten Kerl, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Andrew Kennedy, Thomas Blunt, Nathan Vale, Lisa Milne, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Thomas Blunt, Torsten Kerl, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Lisa Milne, Nathan Vale, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Henry Waddington, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

5:44

Dialog "Aber Marzelline"

Nathan Vale, Henry Waddington, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Anja Kampe, Lisa Milne

1:37

Finale "O welche Lust!"

Lisa Milne, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Nathan Vale, Mark Elder, Andrew Kennedy, Thomas Blunt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, Henry Waddington, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Torsten Kerl, Mark Elder, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Torsten Kerl, Anja Kampe

4:19

Introduction to Act 2

Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Anthony Cleverton, Lisa Milne, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Lisa Milne, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Nathan Vale, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, Anja Kampe, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Anja Kampe, Andrew Kennedy, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Anja Kampe

3:59

Dialog "Er erwacht!"

Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Henry Waddington, Thomas Blunt, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Nathan Vale, Andrew Kennedy, Mark Elder, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Andrew Kennedy, Anja Kampe

0:57

Quartett "Er sterbe!"

Lisa Milne, Thomas Blunt, Nathan Vale, Torsten Kerl, Anthony Cleverton, Anja Kampe, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Henry Waddington, Brindley Sherratt, Mark Elder, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, Brindley Sherratt, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Mark Elder, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Andrew Kennedy, Anja Kampe, Henry Waddington

0:09

Duett "O namenlose Freude!"

Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Anja Kampe

2:55

Dialog "Gute Botschaft"

Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Thomas Blunt, Lisa Milne, Anthony Cleverton, Mark Elder, Andrew Kennedy, Henry Waddington, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor

Beethoven: Fidelio, Op. 72

On This Album