‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright

Ouvertüre

Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Lisa Milne, Torsten Kerl, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Thomas Blunt, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Thomas Blunt, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Anja Kampe

2:17

Marsch

Thomas Blunt, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Nathan Vale, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Anja Kampe

5:44

Dialog "Aber Marzelline"

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

1:37

Finale "O welche Lust!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Mark Elder, Anja Kampe, Nathan Vale, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Anja Kampe

4:19

Introduction to Act 2

London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Torsten Kerl, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Lisa Milne, Thomas Blunt, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

3:59

Dialog "Er erwacht!"

Nathan Vale, Lisa Milne, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Thomas Blunt, Torsten Kerl, Lisa Milne, Nathan Vale, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe

0:57

Quartett "Er sterbe!"

London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra

2:55

Dialog "Gute Botschaft"

Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Torsten Kerl, Lisa Milne, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anja Kampe, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Mark Elder

2:04

Finale "Des besten königs Wink und Wille"

London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album