Ouvertüre
Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Mark Elder
Dialog "Jaquino, Jaquino!"
Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus
Quartett "Mir ist so wunderbar"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Dialog "Höre, Fidelio..."
Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Ihr habt schon recht, Meister Rocco"
London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Marsch
Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Die Depeschen"
London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl
Arie mit Chor "Ha! Welch ein Augenblick!"
London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra
Dialog "Aber Marzelline"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "O welche Lust!"
The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Finale "Nun sprecht, wie ging's?"
Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt
Finale "Ach! Vater, eilt!"
Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy
Finale "Leb' wohl, du warmes Sonnenlicht"
Torsten Kerl, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Introduction to Act 2
The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, The Glyndebourne Chorus
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Duett "Nur hurtig fort, nur frisch gegraben"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Mark Elder
Dialog "Er erwacht!"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder
Terzett "Euch werde Lohn in besser'n Welten"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Quartett "Er sterbe!"
Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Dialog "Vater Rocco!"
Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne
Dialog "Meine Leonore, was hast du für mich erduldet!"
Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Dialog "Gute Botschaft"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Finale "Gott! Welch ein Augenblick!"
Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton