‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Brindley Sherratt, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Henry Waddington, Mark Elder, Anthony Cleverton, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Torsten Kerl, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Lisa Milne, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Nathan Vale

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Thomas Blunt, Nathan Vale, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Henry Waddington, Torsten Kerl, Nathan Vale, Thomas Blunt, Andrew Kennedy, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Lisa Milne, Torsten Kerl, Anja Kampe, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Anja Kampe, Brindley Sherratt, Torsten Kerl

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Thomas Blunt, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Nathan Vale, Lisa Milne, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Anja Kampe, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale

2:17

Marsch

Lisa Milne, Henry Waddington, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe, Anthony Cleverton, Torsten Kerl, Nathan Vale, Thomas Blunt, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Mark Elder, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Lisa Milne, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Mark Elder, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Mark Elder, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Andrew Kennedy

5:44

Dialog "Aber Marzelline"

Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Lisa Milne, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Thomas Blunt, Anja Kampe

1:37

Finale "O welche Lust!"

Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Anja Kampe, Lisa Milne, The Glyndebourne Chorus

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Andrew Kennedy, Anja Kampe, Henry Waddington, Lisa Milne, Mark Elder, Peter Coleman-Wright

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Torsten Kerl, Henry Waddington, Mark Elder

4:19

Introduction to Act 2

Mark Elder, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Brindley Sherratt, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Mark Elder, Thomas Blunt, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Lisa Milne, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Lisa Milne, Nathan Vale, Anthony Cleverton, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Thomas Blunt, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Mark Elder, Lisa Milne, Nathan Vale, Thomas Blunt, Anthony Cleverton, Andrew Kennedy

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Anja Kampe, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl

0:57

Quartett "Er sterbe!"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Nathan Vale, Anthony Cleverton, Thomas Blunt, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Henry Waddington, Torsten Kerl, Brindley Sherratt, Lisa Milne, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Mark Elder, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Nathan Vale, Lisa Milne, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

0:09

Duett "O namenlose Freude!"

Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Lisa Milne, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Anja Kampe

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Thomas Blunt, Nathan Vale, Henry Waddington, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Henry Waddington, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Thomas Blunt, Nathan Vale, Henry Waddington, Torsten Kerl, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Anja Kampe, Mark Elder, Andrew Kennedy, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album