Ouvertüre
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Dialog "Jaquino, Jaquino!"
Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton
Quartett "Mir ist so wunderbar"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Dialog "Höre, Fidelio..."
Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Ihr habt schon recht, Meister Rocco"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Terzett "Nur auf der Hut, dann geht es gut"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Marsch
Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Dialog "Die Depeschen"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Arie mit Chor "Ha! Welch ein Augenblick!"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne
Dialog "Aber Marzelline"
The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "O welche Lust!"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Finale "Nun sprecht, wie ging's?"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Ach! Vater, eilt!"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Introduction to Act 2
Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Arie "In des Lebens Frühlingstagen"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Er erwacht!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder
Terzett "Euch werde Lohn in besser'n Welten"
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton
Quartett "Er sterbe!"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Dialog "Es schlägt der Rache Stunde!"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus
Dialog "Gute Botschaft"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Finale "Des besten königs Wink und Wille"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder