- Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Neuss, Wolfgang Grunert
- Burgess Meredith, Lotte Lenya, Evelyn Lear, Thomas Stewart, Jean Sanders, Bob Shaver, William Malten, Studio Chorus, Scott Merrill, Studio Orchestra, Jane Connell, Hiram Sherman, Samuel Matlowsky
- Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Arthur Schroeder, Theo Mackeben, Erich Ponto, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Lewis Ruth Band, Carola Neher, Studio Chorus, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Erika Helmke, Florelle
- Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Kurt Hellwig, Trude Hesterberg, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Erika Helmke, Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
