- Wolfgang Grunert, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss
- Jean Sanders, Jane Connell, Burgess Meredith, William Malten, Scott Merrill, Studio Orchestra, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Hiram Sherman, Bob Shaver, Lotte Lenya, Evelyn Lear
- Willy Trenk-Trebitsch, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Carola Neher, Erika Helmke, Florelle, Theo Mackeben, Gerda Madsen, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Chorus, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Trude Hesterberg, Berlin Sender Freies Orchestra, Wolfgang Grunert, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wolfgang Neuss
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
