- Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Trude Hesterberg
- Samuel Matlowsky, Bob Shaver, William Malten, Lotte Lenya, Evelyn Lear, Jean Sanders, Jane Connell, Burgess Meredith, Studio Orchestra, Hiram Sherman, Scott Merrill, Studio Chorus, Thomas Stewart
- Studio Pianist, Erich Ponto, Arthur Schroeder, Willy Trenk-Trebitsch, Bertolt Brecht, Gerda Madsen, Erika Helmke, Florelle, Studio Chorus, Studio Orchestra, Lewis Ruth Band, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Marek Weber Orchester, Theo Mackeben, Kurt Gerron
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Kurt Hellwig, Inge Wolffberg, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
