- Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Wolfgang Neuss
- Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jane Connell, Bob Shaver, Burgess Meredith, William Malten, Scott Merrill, Jean Sanders, Hiram Sherman, Lotte Lenya, Evelyn Lear, Studio Orchestra
- Studio Chorus, Erich Ponto, Arthur Schroeder, Marek Weber Orchester, Lotte Lenya, Marek Weber, Studio Orchestra, Bertolt Brecht, Erika Helmke, Florelle, Carola Neher, Lewis Ruth Band, Willy Trenk-Trebitsch, Theo Mackeben, Gerda Madsen, Kurt Gerron, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist
- Wolfgang Grunert, Willy Trenk-Trebitsch, Inge Wolffberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Wolfgang Neuss, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Kurt Hellwig
- Erika Helmke, Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
