- Anne Howells, Reginald Goodall, Delia Wallis, David Lennox, Royal Opera Chorus, John Dobson, Anne Pashley, Edgar Evans, Amy Shuard, Donald McIntyre, Alison Hargan, Royal School of Church Music Choir, Louis Hendrikx, Orchestra of the Royal Opera House, Norman Bailey, Maureen Keetch, Marjorie Biggar, Jon Vickers, Nan Christie, Michael Langdon, Dennis Wicks, Dame Kiri Te Kanawa
- George Barker, David Kelly, Sir Edward Downes, Orchestra of the Royal Opera House, Regina Resnik, Ettore Bastianini, Victor Godfrey, Jon Vickers, Joan Carlyle, John Kollmann, Michael Langdon, Amy Shuard
- Maria von Ilosvay, Rita Gorr, Bayreuth Festival Orchestra, Leonie Rysanek, Grace Hoffman, Lotte Rysanek, Hans Knappertsbusch, Josef Greindl, Elisabeth Schärtel, Jon Vickers, Marlies Siemeling, Hilde Scheppan, Ursula Boese, Hans Hotter, Astrid Varnay
Jon Vickers
Biography
While Jon Vickers was best known as a Wagnerian heldentenor, he was also capable of singing lieder, Baroque opera, spinto Italian roles, and even comic roles. His voice and physique both radiated power. He was a man of equally powerful convictions, refusing to sing roles which he considered to be lacking in morality. He made his operatic debut as the Duke in Rigoletto at the Toronto Opera in 1954, and his 1957 Covent Garden debut was in Un ballo in maschera. His first Peter Grimes -- one of the most memorable interpretations -- was at the Met in 1967. In 1969 he was made a Companion of the Order of Canada. He retired in 1988. Vickers was known for having a prickly temperament, but in other ways, he was deeply modest. He insisted that he was merely the interpreter of the real artists: the composers. ~ Anne Feeney