- Philippe Huttenlocher, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Bach-Collegium Stuttgart, Uta Spreckelsen, Júlia Hamari, Adalbert Kraus, Stuttgart Figuralchor der Gedachtniskirche, Indiana University Chamber Singers, Arleen Auger, Aldo Baldin, Gächinger Kantorei Stuttgart, Helen Watts, Wolfgang Schöne, Kathrin Graf, Bach Ensemble, The, Erika Schmidt-Valentin, Helmuth Rilling
- Margaret Marshall, Adolf Dallapozza, Kunizaku Ohashi, Werner Krenn, Júlia Hamari, Günter Wand, Karl Ridderbusch, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Cornelia Wulkopf, Koln Radio Choir, Wolfram Gehring, Cologne Radio Symphony Orchestra
- Giorgio Tozzi, Laura Londi, Corinne Vozza, RCA Italiana Opera Orchestra, Ezio Flagello, Daniel Guss, Mario Sereni, Hartje Mueller, Carlo Bergonzi, Oliviero de Fabritiis, Leontyne Price, John Newton, Júlia Hamari, Reri Grist, Arturo Basile, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Chorus, Orchestra of the Rome Opera House
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
