- Niklaus Tüller, Frankfurt Kantorei, Walter Heldwein, Kathrin Graf, Arleen Auger, Helmuth Rilling, Wolfgang Schöne, Júlia Hamari, Aldo Baldin, Stuttgart Figuralchor der Gedachtniskirche, Adalbert Kraus, Erika Schmidt-Valentin, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach Ensemble, The, Indiana University Chamber Singers, Bach-Collegium Stuttgart, Helen Watts, Uta Spreckelsen
- Kunizaku Ohashi, Werner Krenn, Cologne Radio Symphony Orchestra, Júlia Hamari, Bavarian Radio Chorus, Günter Wand, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Margaret Marshall, Karl Ridderbusch, Koln Radio Choir, Cornelia Wulkopf, Wolfram Gehring, Adolf Dallapozza
- Ezio Flagello, Júlia Hamari, Erich Leinsdorf, Shirley Verrett, Robert Merrill, Arturo Basile, Hartje Mueller, Carlo Bergonzi, RCA Italiana Opera Chorus, John Newton, Reri Grist, Thomas Schippers, Robert El Hage, Francesco Molinari-Pradelli, Fernando Iacopucci, Orchestra of the Rome Opera House, Laura Londi, Corinne Vozza, RCA Italiana Opera Orchestra, Giorgio Tozzi, Mario Sereni, Daniel Guss, Oliviero de Fabritiis, Leontyne Price
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
