- Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Scott Merrill, Bob Shaver, William Malten, Samuel Matlowsky, Jane Connell, Studio Orchestra, Jean Sanders, Lotte Lenya, Evelyn Lear, Hiram Sherman, Burgess Meredith, Studio Chorus, Thomas Stewart
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Erika Helmke, Florelle, Arthur Schroeder, Studio Orchestra, Studio Chorus, Bertolt Brecht, Gerda Madsen, Carola Neher, Studio Pianist, Erich Ponto
- Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Inge Wolffberg, Wolfgang Neuss, Berlin Sender Freies Chorus, Kurt Hellwig, Martin Hoeppner, Wolfgang Grunert, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
