- Sinfonieorchester Hannover des NDR, Heinz Rehfuss, Pierre Mollet, Eugenia Ratti, Mirella Freni, Hannoversche Solistenvereinigung, Bruno Maderna
- Georg Solti, Sena Jurinac, David Webster, Leyla Gencer, Mirella Freni, Richard Lewis, Orchestra of the Royal Opera House, Cesare Siepi, David Ward, Robert Savoie, Geraint Evans
- Hamburg Philharmonic State Orchestra, Francesco Molinari-Pradelli, Staatskapelle Dresden, Leone Magiera, Chor der Dresdner Staatsoper
- Mirella Freni, Royal Philharmonic Orchestra, Luigi Alva, Emily Maire, The Glyndebourne Chorus, Enzo Sordello, Carlo Felice Cillario, Sesto Bruscantini
- Hans Joachim Lukat, Lamberto Gardelli, Rudolf Jedlička, Berlin State Opera Chorus, Gudrun Sch"afer, Sesto Bruscantini, Hania Kovicz, Heinz Reeh, Peter Bindszus, Mirella Freni, Franco Bonisolli, Staatskapelle Berlin
- Argeo Quadri, Ino Savini, Munich Radio Orchestra, Wiener Volksoper Orchester, Gino dal Ferro, Mirella Freni, Viktor Remsey
Mirella Freni
Biography
Ranking among modern history’s most renowned bel canto sopranos, Mirella Freni mixed nimbleness and precision with dramatic heft. She was born in 1935 in Modena, Italy, and took an interest in opera at a young age, winning a national competition at 12 with a Puccini aria. She made her stage debut in 1955—in her hometown—as Micaëla in Carmen (1875), a role to which she would return throughout her career. In 1963, Freni became the toast of the Italian opera world with her portrayal of Mimì in Franco Zeffirelli's production of La Bohème (1896) at La Scala. It remains one of the opera’s defining stagings. As her star rose internationally in the late 1960s, Freni unveiled her celebrated Juliette in Gounod’s Roméo et Juliette (1867) at the Metropolitan Opera, further illustrating her ability to communicate deep emotion while performing technically demanding lyric roles. In the 1970s and '80s, Freni pushed beyond her established comfort zone with heavier dramatic roles, most notably in Verdi operas including Otello (1887) and Aida (1871). Her expressive performances have been widely disseminated through her prolific videography, the 1974 film of Madama Butterfly (1904) with Plácido Domingo being a standout. Freni retired from performing at the age of 70 to focus on teaching, and she died in Modena in 2020.