- Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin
- Samuel Matlowsky, William Malten, Jean Sanders, Scott Merrill, Studio Orchestra, Burgess Meredith, Hiram Sherman, Jane Connell, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Bob Shaver
- Theo Mackeben, Willy Trenk-Trebitsch, Kurt Gerron, Marek Weber Orchester, Arthur Schroeder, Gerda Madsen, Carola Neher, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Bertolt Brecht, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Studio Chorus, Erich Ponto
- Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Wolfgang Neuss
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
