- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Studio Chorus, Thomas Stewart, William Malten, Studio Orchestra, Bob Shaver, Scott Merrill, Lotte Lenya, Evelyn Lear, Burgess Meredith, Hiram Sherman, Jane Connell, Jean Sanders, Samuel Matlowsky
- Studio Pianist, Arthur Schroeder, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Gerda Madsen, Bertolt Brecht, Willy Trenk-Trebitsch, Theo Mackeben, Lotte Lenya, Marek Weber, Carola Neher, Studio Chorus, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra, Erich Ponto
- Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Kurt Hellwig, Martin Hoeppner, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Wolfgang Grunert, Willy Trenk-Trebitsch
- Erich Ponto, Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
