- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss
- Samuel Matlowsky, Jean Sanders, Burgess Meredith, Bob Shaver, William Malten, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Jane Connell, Studio Orchestra, Scott Merrill, Hiram Sherman
- Willy Trenk-Trebitsch, Carola Neher, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Erich Ponto, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra, Studio Chorus, Gerda Madsen, Arthur Schroeder, Lewis Ruth Band, Bertolt Brecht, Theo Mackeben
- Wolfgang Grunert, Trude Hesterberg, Kurt Hellwig, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Martin Hoeppner, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus
- Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
