- Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Bob Shaver, Studio Orchestra, Burgess Meredith, Jean Sanders, Studio Chorus, Thomas Stewart, Scott Merrill, Jane Connell, Hiram Sherman, William Malten, Lotte Lenya, Evelyn Lear
- Erika Helmke, Florelle, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Kurt Gerron, Marek Weber Orchester, Studio Chorus, Arthur Schroeder, Theo Mackeben, Willy Trenk-Trebitsch, Gerda Madsen, Carola Neher, Lewis Ruth Band, Lotte Lenya, Marek Weber, Bertolt Brecht, Studio Pianist, Studio Orchestra
- Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Martin Hoeppner, Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Berlin Sender Freies Orchestra, Wolfgang Neuss
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
