- Sesto Bruscantini, Gianandrea Gavazzeni, Bruna Rizzoli, Cesare Valletti, Alda Noni, Coro de Milano della RAI, Afro Poli, Orchestra Sinfonica Nazionale della RAI di Milano
- Richard Decker, Gustav Kuhn, Monica Bacelli, Anna Caterina Antonacci, Albert Dohmen, Marchigiana Philharmonic Orchestra
- Massimiliano Malaspina, Orchestra Sinfonica Di Roma Della RAI, Sesto Bruscantini, Carlo Franci, Coro di Milan della RAI, Emilia Ravaglia, Adriana Guerrini, Coro di Roma della RAI, Elena Zilio, Orchestra sinfonica di Milan della RAI, Ralph Lambert, Alfredo Simonetto, Aldo Bottion
- Glyndebourne Festival Orchestra, Juan Oncina, Sesto Bruscantini, Marina De Gabarain, Alda Noni, Vittorio Gui
- Geraint Evans, Sesto Bruscantini, The Glyndebourne Chorus, Ilva Ligabue, Royal Philharmonic Orchestra, Vittorio Gui, Hugues Cuénod
- Carlo Felice Cillario, Luigi Alva, Emily Maire, The Glyndebourne Chorus, Enzo Sordello, Royal Philharmonic Orchestra, Sesto Bruscantini, Mirella Freni
- Orchestra da Camera "Scarlatti" di Napoli della RAI, Franco Caracciolo
Sesto Bruscantini
Biography
Not many historical details are known about this Italian bass baritone who is mainly famous for his comic opera roles. At some point after earning a law degree, Bruscantini studied voice with Luigi Ricci, who was the noted author of Cadenzas, a well-known text on the art of bel canto singing. Bruscantini made his debut in 1946 at Porto Civitanova in Puccini's La bohème and went on to create 130 parts in 108 operas. He was best known for his role in Rossini's Il barbière di Siviglia (The Barber of Seville), but he also sang in operas that were seldom produced, such as Piccinni's La Buona Figliuola and Boccherini's La Clementina. Bruscantini was often heard in the 1950s at famous houses like La Scala, Glyndebourne, and so on, and he sang on-stage well into in the 1990s.