- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg
- Studio Orchestra, Samuel Matlowsky, Jane Connell, Jean Sanders, Lotte Lenya, Evelyn Lear, Scott Merrill, Burgess Meredith, Bob Shaver, Studio Chorus, Thomas Stewart, William Malten, Hiram Sherman
- Arthur Schroeder, Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Florelle, Studio Pianist, Theo Mackeben, Studio Chorus, Gerda Madsen, Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Carola Neher, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Trude Hesterberg, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Wolfgang Neuss, Wolfgang Grunert, Kurt Hellwig
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
