- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert
- Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Bob Shaver, Burgess Meredith, Hiram Sherman, Studio Chorus, Thomas Stewart, Jane Connell, Studio Orchestra, Jean Sanders, Scott Merrill, William Malten
- Willy Trenk-Trebitsch, Kurt Gerron, Marek Weber Orchester, Arthur Schroeder, Theo Mackeben, Studio Pianist, Lewis Ruth Band, Erika Helmke, Florelle, Erich Ponto, Studio Chorus, Bertolt Brecht, Carola Neher, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Lotte Lenya, Marek Weber
- Inge Wolffberg, Trude Hesterberg, Gunther Arndt Orchestra, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Berlin Sender Freies Chorus, Wolfgang Grunert, Berlin Sender Freies Orchestra, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
